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An Artist’s Guide to Relocating From Trump’s America | artnet News [h=5]Politics[/h][h=1]An Artist’s Guide to Relocating From Trump’s America[/h]A definitive guide to finding the next art world Shangri-La. Christian Viveros-Fauné, December 9, 2016 More than 2200 people pose nude for photographer Spencer Tunick, on the steps of the Montreal Museum of Fine Art in Montreal, Canada, May 26, 2001. Photo by Jean Therroux/Getty Images. 5. Montréal Where Toronto is the hub of all things corporate, Montreal is Canada’s cultural hub. The city has plenty of commercial galleries and a smattering of respectable museums, but its beating heart remains its artist-run-centers—many of them established in the ’70s and ’80s as a way to explore art for art’s sake. To these can be added kunsthalles of a more recent vintage, including the DHC Foundation and Darling Foundry. Rent (an incredible $519 for a studio apartment) is about half what it is in Toronto and Vancouver, and a fraction of what you would pay for in London and New York. For those who bragged they’d move to Canada if Trump won, the train is now leaving the station. (I’m talking to you, Lena Dunham.) [h=5]Recommended Reading[/h][h=2]Must-See Art Guide: Montréal[/h]By Audrey Fair, Aug 28, 2014
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For the best food, festivals and fun, head to Montreal, Canada Just like the United States postal service’s motto, “Neither rain, nor snow, nor sleet, nor hail” shall prevent Montrealers from throwing a fabulous festival. Be it musical, comedy, fashion, dance, circus, film or food & wine based, they’ve got it covered, and leave it to those crazy/generous Canadians to throw many a bash for free-particularly in the summer when you can virtually channel surf for festivals. when I was there a few weeks ago, there was almost an embarrassment of riches to choose from including the 35th annual Festival International de Jazz de Montreal, the 30th L’International des Feux Loto-Quebec and the Montreal Cirque Festival. If you’re planning a visit this year here are some upcoming festivals for you check out: 1. Festival Mode & Design Festival-allows you to get an inside look at the world of fashion. Choose from over 50 fashion shows (some of the finest Canadian designers will be represented) live creative sessions, designer showcases and musical performances. A MUST for the fashionista! 2. Montreal World Film Festival-is the only competitive Film Festival in North America recognized by the FIAPF (International Federation of Film Producers Associations) which is a pretty big deal. Now in its 38th year, you can view films from over 70 countries, as well as hear from some well-known filmmakers. 3. Pop Montreal- features Francophone, Canadian, and international pop musicians. , This dynamic five-day festival in September will present more than 600 artists to audiences of over 50 000. 4. La Biennale de Montreal- is a slightly more highbrow international event focusing on film, sculpture, photography, painting and installation art that respond to current conditions by considering “what is to come”. 5. Taste MTL- pack your stretchiest pants if you’re coming to this 10-day fall event with more than 100 restaurants participating. It’s sure to be a winner since Montreal often claims it has more restaurants per capita than any other metropolitan area in North America. To see a year’s worth of events check out Go Montreal Living Festivals and Events link. Where to feast between festivals For a respite from all the noise and commotion try Maison Boulud, one of the newest restaurants from acclaimed chef, Daniel Boulud, in the newly refurbished Ritz-Carlton Montreal, provides an elegant, yet non-stuffy option (including al fresco tables overlooking their peaceful pocket-park). Boulud’s magic touch combined with ingredients sourced from the finest local purveyors ensures a gastronomic dining experience, whether you stopping in for brunch, lunch or dinner. The sparkling arugula, cherry and Parmesan salad was the perfect opener to a succulent, Moroccan spiced chicken dish. Double down by dining at both of Chef Normand Laprise’s restaurants for guaranteed culinary winnings. The cheeky, casual, and much more affordable, Brasserie T , is located right in the heart of all the excitement at Place-des-Arts, Montreal’s cultural hub. If you reserve a seat on the bustling outdoor terrace, you can enjoy the jazz concert while nibbling on luscious little temptations such as pan seared fois gras, glistening salmon or beef tartar, betcha-can’t-eat-just-one farm-fresh deviled eggs or just an absolutely perfect cheeseburger and fries. Don’t forget to make reservations well in advance for a dinner at Laprise’s celebrated restaurant Toqué!, a landmark in Quebec’s gastronomical scene offering haute cuisine without the ‘tude. Toqué! has won more kudos and awards than Meryl Streep, including Relais & Châteaux, AA/AAA Five Diamond, James Beard Foundation, and the Gourmand World Cookbook Award for 2014 cookbook of the year. He was even appointed Knight in 2009 yet you’ll never meet a more down-to earth chef, who is passionate about showing respect for the multitude of cooks, farmers, foragers and fishermen responsible for bringing him the finest seasonal bounty– right down to the humblest root vegetable. This is one night that I recommend you skip all the festival offerings and instead indulge your senses in their unforgettable 7-course dinner with optional wine pairing, although the sommelier’s pairings were so innovative it should be mandatory. Where to stay Le St-Martin Hotel Particulier Montreal, a 17-floor boutique property, is a pleasing blend of luxury, warmth and contemporary styling (think faux-leopard blankets and colorful throw pillows, homey fireplaces, peek-a-boo glass showers offer views all the way through the big bay windows) also offers the perfect festival location: close enough to walk to most of the festivities, yet far enough away to enjoy a peaceful night’s sleep. After navigating the mini-jungle entrance, where the helpful doormen are wearing safari outfits (don’t ask me why) you check in with the unbelievably friendly staff at the front desk. I spent a full hour the next morning with Virginia, who answered dozens of my itievenerary questions and then marked each of my stops on the map in a different color. When she saw that I still looked a little lost, she went to the computer and printed out metro directions for each stop and never stopped smiling the whole time. The hotel recently won a Certificate of Excellence from TripAdvisor which I’m sure is partly based on their exemplary service as well as the fact that their signature Bistro L’Aromate serves an utterly fabulous breakfast, that could easily power you through the whole day. For a quick relaxation break simply step outside to their mini-heated pool, nestled alongside a waterfall, teak bridge and tropical plants for a little private Shangri-La. Within minutes you’ll be recharged for the next round of festivals. http://www.aluxurytravelblog.com/2014/08/01/for-the-best-food-festivals-and-fun-head-to-montreal-canada/ -
Forbidden Montreal - Episodes on CTV News
un sujet a posté IluvMTL dans Divertissement, Bouffe et Culture
http://montreal.ctvnews.ca/forbidden-montreal-an-ancient-set-of-downtown-tombs-1.1043598 Forbidden Montreal - Other episodes from 2012 Forbidden Montreal: Royal Vic's secret storage Forbidden Montreal: Inside the city's beacon Forbidden Montreal: Inside our sewers This episode Forbidden Montreal: an ancient set of downtown tombs http://montreal.ctvnews.ca/forbidden-montreal-an-ancient-set-of-downtown-tombs-1.1043598 CTV Montreal Published Sunday, Nov. 18, 2012 7:01PM EST Last Updated Tuesday, Nov. 20, 2012 2:14PM EST The ancient stone towers tucked behind the walls of downtown’s Grand Seminaire on Sherbrooke just east of Atwater are among Canada’s most ancient structures. The towers also form part of one of the country's most mysterious places as well. Some of the city’s very earliest European settlers came from France to establish a settlement on the spot in the 1680s. Their aim was to promote what they considered a sacred mission to establish a new creed for the New World. Those missionaries sought to spread their unique vision with First Nations people but they brought most of the details of the plan to their graves. Those tombs, deep underneath the seminary, are off limits to all but the custodians. Among those whose remains lie in the crypt, first established in 1661, is Francois Vachon de Belmont who came from Burgundy, France to fund and operate the mission. The Grand Seminaire has since remained one of the city’s longest-running institutions and is also home to many other architectural treasures, including an alluring chapel, where around 8,000 priests have been trained. If there is any off-limits place you'd like to see, just send us an email at forbiddenmtl@ctv.ca. Series in 2013. CTV Montreal: Forbidden Montreal Former courthouse Annie DeMelt takes you for a tour of Montreal's former courthouse, a heritage building complete with a dungeon and jail cells below. http://montreal.ctvnews.ca/video?playlistId=1.1202711 -
http://www.bbc.com/travel/feature/20131002-business-trip-montreal As one of Canada's largest cities, Montreal stands out from the pack for its combination of big city ambiance and small-town neighbourhoods, European flair and North American attitude. The confluence of culture and economy has also transformed the city – the second largest French-speaking city in the world – into a business hub for numerous industries, including aviation, banking and insurance. Operating a strong North American and transatlantic hub from Montreal-Trudeau International Airport, Air Canada has been a key driver behind the 1.4 million business travellers that arrived in Montreal in 2012. The airport (a 20km taxi ride from downtown clocks in at a flat 40 Canadian dollars) recently completed the first phase of its C$261 million expansion project named Gate 62, and the second stage will begin construction in 2014, adding six new wide body gates, including two equipped for the Airbus A-380 jumbo jet. ...
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In Montreal, delicate design gestures help us forget the big scandals
un sujet a posté ProposMontréal dans L'actualité
Du Globe and Mail In Montreal, delicate design gestures help us forget the big scandals By day and by night, there are adults flying through the air at Montreal’s Quartier des Spectacles on oversize, colourful swings. Streams of cyclists whip by on dedicated bike paths. Warmed by the spring sunshine, students and gallerygoers lounge on the steps at Place des Arts, where the joys of museum, opera and symphony are recognized with fortissimo. It would seem that everything is just as it should be in Montreal, where bonhomie thrives and an art has been made of small-scale urban architecture. In the leafy neighbourhood of Saint-Louis, where many artists have made their homes, the ghost of architect Luc Laporte lives on. From an 1880s commercial building on Rue St. Denis, he punched a generous, rounded arch through the masonry to connect his instant landmark bistro directly to the street; rather than depending on loud signage, he preferred to emphasize the building as sign. L’Express is a classic, with a heated, black-and-white tiled front terrace, still beloved – still packed – 33 years after he designed it. But the sweetness of the small architectural intervention is sadly being offset these days by the weight of large public works gone wrong. The corruption charges levelled against Montreal politicians have contaminated the reputation of the venerable metropolis. Last October, the city froze all non-essential public-works projects following widespread allegations of impropriety. With more arrests being made and former mayor Gérald Tremblay now ousted from office, it’s as if a slick of toxic oil is creeping along the streets, darkening the large civic projects touched by city builders and the SNC-Lavalin engineering firm. The Montreal-based global entity had its tentacles in many of the big public-sector works in the city, including the Maison Symphonique, with its handsome wood-lined concert hall but bargain-basement public lobbies; the shiny new planetarium on the eastern edge of the city; and the still-incomplete McGill University Health Centre hospital, a massive behemoth, estimated to cost $2.35-billion, and as ugly as its multilevel parking garage. It’s impossible to travel through these facilities without contemplating what troubling scenarios might have gone on. For now, then, it’s the modest, meaningful works of architecture and joyous pop-up landscapes that are left standing with integrity fully intact. Like the fans of L’Express, Montrealers are right to turn to them as places that citizens can depend on. In the open, and often under the open sky, is where the healing can begin. When, during last weekend’s Portes Ouvertes, I walked the city’s streets touring dozens of young architecture firms and funky design studios in former textile warehouses, the joy of their public-space work was intoxicating. Wanted, a two-person landscape-architecture firm, finds its motivation in the power of design to effect social change – or simply to contribute more urban comfort and delight. Last summer on Victoria Street, next to the McCord Museum of Canadian History, Paula Meijerink and Thierry Beaudoin installed an urban forest of cushy carpets of purple turf, artificial palm pavilions and curvey benches. People lounged with friends; couples posed among the outlandish neon set piece for their wedding pictures. This month, alongside the McCord, Wanted installs a temporary urban forest – ash trees with their root balls in massive sacks. Further east at Quartier des Spectacles, the colourful swings, suspended from white steel box frames, have been custom-designed by a six-person studio called Daily tous les jours. Back by popular demand for a third summer, 21 Balançoires (check out the video at vimeo.com/40980676), notes studio principal Mouna Andraos, comes complete with a musical score: The more people swing, the more intricate the melody becomes. The studio has also produced massive sing-a-longs at fairgrounds outside of Minneapolis-Saint Paul and Dallas, offering large microphones and Auto-Tune to evoke decent collective sound. An installation of projections and sound that they hope will inspire audiences to move like the stars or the Earth is being prepared by Daily tous les jours for the $48-million planetarium. The planetarium’s design features rounded, wood-clad cinemas that push out on the upper levels as aluminum-clad cononical shapes between slanted green roofs. Designed by the city’s competition-winning Cardin Ramirez Julien & Aedifica, with, among other consultants, SNC-Lavalin, the three-level building will help anchor the Olympic grounds. “It’s definitely a shame, the huge problem the city has,” says Andraos, referring to the corruption scandals. “We’re hoping that some of the projects that we do can create exchanges for people in public spaces, and spark a sense of ownership.” In the Plateau district, a group of us – including journalists from international design media; Marie-Josée Lacroix, director of Montreal’s Bureau du design; and Élaine Ayotte, a member of the city’s newly formed executive committee responsible for culture and design – are led on a tour that begins by paying design homage to Laporte, who died in 2012. Heritage advisor Nancy Dunton leads our group to a stunning row of grey limestone townhouses fronting onto genteel Saint-Louis Square. Distinctive black steel railings and simple stone stairs on the Victorian exteriors are the work of Laporte, a man variously described as a bon vivant and a curmudgeon, who was often given commissions by local residents who knew him well. We file into Laporte’s still-functioning live-work studio: At the front, an efficient bar/kitchen – designed with the rigour of a boat’s cabin, complete with built-in cabinets and espresso-maker – sits alongside a work table with shelves lined with historic architecture books. An old photo of the staff at L’Express is propped on the white tile floor. Toward the back of the long, narrow space, Laporte had renovated a horse stable to become his studio, and, past delicate glass doors, a small terrace where vines grow up a brick wall. It was from here that he designed many of Montreal’s most enduring bars and restos, including the elegant Laloux (1980) with its seamless black-steel front entrance and cream-coloured walls of black-framed mirrors; and the high-end housewares boutique Arthur Quentin (1975) with walls and ceiling lined and strapped in plywood. Human-scaled and warm to the touch, these are the places that never stop giving back. They continue to amuse and endure in ways very different from those who choose to become their city‘s laughing stock. -
http://www.boston.com/travel/destinations/2013/03/10/search-the-perfect-bagel-montreal/W6wUPos6bHvcOPGTrjPoiO/story.html 2e partie de l'article:
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Avec quelques commentaires architecturaux pour vous tous. Source: Dallas News “This,” says Martin Robitaille, “is the Old Sulpician Seminary. It dates to 1685 and is the oldest building still standing in Old Montreal. And this,” he goes on, sweeping his hand at a building across the street from the seminary, “is Mistake No. 1.” The more formal name of the latter edifice is the National Bank of Canada Tower. It was finished in 1967 and is done in the International Style: 52 concrete pillars rising 32 stories, covered in black granite, framing black-tinted windows. “Its elegant, sober appearance was intended to harmonize with the rest of the historical quarter of Old Montreal,” according to a panel in the nearby Centre d’histoire de Montréal museum, but many, including Robitaille, think it most certainly does not. Robitaille could be considered biased: He’s a professional tour guide, and his beat today is the section of Montreal just north of the St. Lawrence River, roughly a dozen blocks long and three blocks wide, that is the city’s historic center. The quarter’s small, crooked streets are filled by handsome buildings of dressed limestone, some somberly Scottish and plain, some effusively Italian, with intricate carvings and terra cotta ornamentation. Stand at any of a dozen intersections — Sainte-Hélène and des Récollets is a good example — and you are transported, architecturally at least, back in time. Which is why Robitaille finds the incursion of something in the International Style so grating. It really ruins the mood. His tour begins at Place d’Armes, in the shadow of a statue of one of the people who founded the city in 1642, Paul de Chomedey de Maisonneuve. “They came here to convert the natives,” Robitaille says. “Not so successful. After about 20 years, it became a commercial center. The fur trade.” As European demand for fur grew, so did Montreal. Its success as the funneling point of pelts from Canada’s vast forests to the Continent made it the obvious spot to locate head offices when settlers began to pour into the west. “The Golden Age was from 1850 to 1930,” Robitaille says. “That’s when Montreal was at its best.” And that’s when most of the buildings in Old Montreal were constructed. Robitaille’s tour takes us along Rue Saint-Jacques, once the heart of Montreal’s — and Canada’s — financial district. At the corner of Rue Saint-Pierre he points out four bank buildings, two of which, the CIBC and the Royal, still perform their original function. The Royal’s banking hall, built in 1928, is “a temple of money,” our guide says: soaring stone, coffered ceiling, echoing and imperious. The other two banks have been turned into high-end boutique hotels . LHotel is the plaything of Guess Jeans co-founder Georges Marciano. Marciano has sprinkled its lobby and hallways with $50 million worth of art from his private collection, including works by Roy Lichtenstein, Joan Miró, Robert Rauschenberg , Marc Chagall, David Hockney, Jasper Johns and Andy Warhol. Across the road, the former Merchants Bank is now the St. James, “considered the most luxurious hotel in town,” says Robitaille. The top floor is where folks like Elton John, U2 and the Rolling Stones stay when they’re in town. We twist and turn through Old Montreal’s narrow streets. Hidden away at 221 Saint-Sacrement is one of the few old houses left, three stories, solid stone. Today, it houses offices. “Most of the architecture surrounding us is commercial, not residential,” Robitaille says. The banks were the most lavish in design, but the warehouses, many now renovated as condominiums, were nearly as spectacular. When Robitaille was a child, his parents never brought him to Old Montreal. Then, as now, it was a bit cut off from the present-day downtown, further north, by the auto route Ville-Marie. After the banks decamped in the 1960s, Old Montreal spent the next several decades in decay. At one point, much of it was to be torn down for yet another freeway. A slow-swelling preservation movement finally gained traction in 1978 when the grain elevators blocking the view of the St. Lawrence River were demolished and a riverside walk opened. Over the next three decades, investors began to see the value in resuscitating the neighborhood. Now, more than 5,000 people call Old Montreal home, living mainly in converted warehouses. Restaurants, cafes, small hotels and plenty of art and clothing stores keep the area bustling. A tour like Robitaille’s is a fine way to be introduced to Old Montreal. For those who want to know more, two museums, the Centre d’histoire de Montréal, in a 1903 fire hall next to Place d’Youville (the site of the two Canadas’ parliament until rioters torched it in 1849), and the Pointe-à-Callière Montreal Museum of Archaeology and History, are the places to go. In the basement of the latter are the ruins of buildings that previously stood on the site, along with part of the tunnel that Little Saint-Pierre River once ran through and the city’s first graveyard, filled largely with the bodies of those killed by Iroquois attacks in the settlement’s earliest days. For those who prefer to strike out on their own, Discover Old Montreal, a well-illustrated booklet published by the provincial government, provides a detailed self-guided walking tour and is for sale in both museums. For those who just want to soak in the ambience, the simplest thing is to start in Place Jacques Cartier and stroll first east and then west along Rue Saint-Paul, Montreal’s oldest street. (Its rough paving stones make comfortable walking shoes a necessity.) Robitaille’s final stop is at the Château Ramezay. Built in 1705 as a home for the governor of Montreal, it served several other purposes through the years, including sheltering Benjamin Franklin in 1776, before it became a museum in 1895. “It’s one of only six buildings from the French period, before 1763, still standing,” says our guide. A block away is the modern courthouse complex, finished in 1971 and designed by the same people who did the National Bank tower. “That,” says Robitaille with a final flourish, “is Mistake No. 2.” And so Old Montreal comes to an end.
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Peu importe où l'on se trouve sur la planète, je pense qu'on pourra toujours se consoler en regardant Détroit..... http://ca.news.yahoo.com/blogs/sideshow/mother-six-trades-98k-house-used-minivan-152424777.html
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Read more: http://www.montrealgazette.com/entertainment/Heritage+building+revamped+LEED+certification/5397141/story.html#ixzz1XsiSv9iG
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Le chef Daniel Boulud ouvre un resto à Mtl
un sujet a posté MtlMan dans Divertissement, Bouffe et Culture
C'est de la grande classe. Avec Gordon Campbell, les stars internationales de la gastronomie vont-elles faire de Mtl un terrain de compétition? Ce serait vraiment cool. http://www.montrealgazette.com/Boulud+Ritz+resto+will+lift+competition+chefs/4619441/story.html -
Gillette to phase Tiger Woods out of ads New York — Associated Press Published on Saturday, Dec. 12, 2009 11:57AM EST Last updated on Saturday, Dec. 12, 2009 4:05PM EST New York — Associated Press Published on Saturday, Dec. 12, 2009 11:57AM EST Last updated on Saturday, Dec. 12, 2009 4:05PM EST One of Tiger Woods’ major sponsors will phase the world’s most valuable athlete out of its advertisements while he takes time off to repair his personal life. Gillette’s announcement Saturday marks the first major sponsor of the superstar athlete and corporate pitchman to distance itself from Woods. “As Tiger takes a break from the public eye, we will support his desire for privacy by limiting his role in our marketing programs,” said Gillette, a division of Procter & Gamble. Other sponsors are mulling their options and trying to gauge the fallout from the man who has become the face of golf, as he drops off the circuit for an unspecified period. AT&T said it is evaluating its relationship with the golfer. Representatives from Accenture won’t say what its plans are regarding Woods, whom the consulting firm has used to personify its claimed attributes of integrity and high performance. “I think you will see the handful or so of companies that he has relationships with doing some real soul searching and making some probably, for them, difficult decisions in the next few days,” said Larry L. Smith, president of the Institute for Crisis Management, in Louisville, Ky. Late Friday, Woods announced an indefinite leave from golf and public life to try to rescue his marriage after a two weeks of intense coverage of his infidelity sullied his carefully cultivated good guy image. The decision and contrite tone of his statement was seen by marketing experts as a smart step to repairing his public image. His previous brief and vague statements on the matter were criticized as insufficient to quell the intense scrutiny and to lessen the damage from more than a handful of women who claim to have had affairs with him. “It’s just like your most beautiful fashion brand is being trashed,” said John Sweeney, director of sports communication at the University of North Carolina at Chapel Hill’s School of Journalism and Mass Communication. “I don’t expect Tiger to be the gold standard anymore, but he’s not going out of business ... He’s too big and too talented to be fired, but he will have significant declines from what he was.” Woods, 33, spent 13 years burnishing a pristine personal brand. His good looks and multiracial heritage gave him broad appeal. His domination of the game and fist-pumping flair for the dramatic established his tournament appearances as must-see TV. His work ethic is admirable. Marketers were drawn to his image as a clean-cut family man who mourned the death of the father who taught him the game, doted on his mother and married a former Swedish model with whom he has two young children. Woods is the pitchman for brands ranging from AT&T to Accenture to Nike. His array of endorsements helped him become the first sports star to earn $1 billion. Michael Jordan, Woods’ closest contemporary, is a distant second. Jordan has accumulated about $800 million during an NBA career that spanned nearly 20 years, according to Forbes. Nike, which built its $650-million golf business around Woods, said late Friday it supports his decision. Gatorade, a unit of PepsiCo Inc., said previously it supports Woods and said Saturday it has no updated comment. Gillette’s decision includes phasing out Woods from its television and print advertising, and from public appearances and other efforts linking the two entities together, Gillette spokesman Damon Jones said. “This is supporting his desire to step out of the public eye and we’re going to support him by helping him to take a lower profile,” he said. Gillette, which operates from Boston while parent P&G is based in Cincinnati, has had a contract with Woods since 2007. Jones declined to provide further details, including length and value, of the contract. Woods hasn’t been seen in a prime-time television commercial since a Gillette spot on Nov. 29, according to research firm Nielsen Co. Jones said that was because golf is currently off-season, so the company is promoting new products like Gillette Fusion MVP with football and baseball stars instead, because those seasons are more current. As any ads featuring Woods expire, they will not be renewed. Jones said that did not mean the company was severing its ties with Woods. There had been no upcoming scheduled public appearances for Woods, he said. He declined to comment on when the company would resume including Woods in its marketing, and would not say whether that would be linked with the timing of Woods comeback, when and if he decides to resume playing golf.
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SYNOPSIS At the end of WWII, 60 minutes of raw film, having sat undisturbed in an East German archive, was discovered. Shot by the Nazis in Warsaw in May 1942, and labeled simply "Ghetto," this footage quickly became a resource for historians seeking an authentic record of the Warsaw Ghetto. However, the later discovery of a long-missing reel, inclusive of multiple takes and cameraman staging scenes, complicated earlier readings of the footage. A FILM UNFINISHED presents the raw footage in its entirety, carefully noting fictionalized sequences (including a staged dinner party) falsely showing "the good life" enjoyed by Jewish urbanites, and probes deep into the making of a now-infamous Nazi propaganda film. A FILM UNFINISHED is a film of enormous import, documenting some of the worst horrors of our time and exposing the efforts of its perpetrators to propel their agenda and cast it in a favorable light. [video=youtube;Khut0kKn-c8]http://www.youtube.com/watch?v=Khut0kKn-c8
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Read more: http://www.montrealgazette.com/business/Hydro+Qu%c3%a9bec+accepts+bids+wind+farms/4004578/story.html#ixzz18l8doftP
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Un autre article flatteur du NYTimes. Ça devient presque lassant.... http://travel.nytimes.com/2010/08/15/travel/15hours.html + des photos de Mtl. Nice. http://www.nytimes.com/slideshow/2010/08/15/travel/36HOURSMONTREAL-9.html
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(Courtesy of the Financial Post)
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(Courtesy of KDVR Fox 31) The previous topic was written by a woman from here but was published from the Globe and Mail. I found that out when I did some research on the writer.
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Sure we've seen glorified dehumidifiers like this before, but we're a sucker for any aquatic wonder which claims to solve the world's drinking water shortage. The exterior wall-mounted Watermill from Element Four is the latest "water from thin air" contraption and produces up to 3.2 gallons of water a day, pumped through a trusty ultraviolet sterilizer. But more importantly, it offers to hydrate your family of 6 (according to EF) for a mere thirty-five cents a day in power, not including whatever price Element Four decides to sell it for. Or you could just stick a bucket on your roof and be done with it -- we hear it rains occasionally. http://www.gadgetreview.com/2008/09/the-watermill-converts-humid-air-to-drinkable-water.html -
Historic Ogilvy's building could fetch $100M Groupe Devimco in negotiations to purchase Montreal landmark By Robert Gibbens, The GazetteJanuary 26, 2010 7:29 "Spoonman" Cyrille Esteve performs outside the landmark Ogilvy's building in Montreal. Le Groupe Devimco is reportedly in talks to buy the building for about $100 million.Photograph by: Phil Carpenter, The GazetteMONTREAL – The landmark Ogilvy's building on Ste. Catherine St. will probably be sold for about $100 million to Le Groupe Devimco, one of the backers of the big Quartier Dix30 lifestyle centre in Brossard, and partners. Toronto property developer David Jubb, owner of Pyxis Real Estate Equities, bought the Ogilvy's building from the Standard Life Assurance Co. of Canada in May 2000 for $50 million. His office said he was "out of the country" and unavailable for comment. Devimco president Jean-Francoisn Breton also was not available for comment. But Ogilvy's president Bernard Pare confirmed that sale negotiations are well advanced and in the due diligence stage, though "it's not yet a done deal." Some reports said a trust controlled by the Beaudoin and Bombardier families may be a partner in the Ogilvy's deal. It was one of the original investors in Quartier Dix30 along with a large Toronto-based property trust and two pension funds. Founded in 1866 by James A. Ogilvy at the northwest corner of St. Catherine and de la Montagne, the store was acquired in 1927 for the "modest sum" of $38,500 by James Aird Nesbitt, whose father had founded the brokerage firm of Nesbitt Thompson in Montreal, and was expanded into a full-size department store. A major overhaul in 1986 moved it upscale with 60 individual boutiques, including several leading luxury brands. It kept the famed bohemian crystal chandelier on the ground floor and the bagpiper. Jubb, who owns other commercial properties in Montreal, Toronto and Vancouver, made further improvements, including a new air-conditioning system.
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U2 to pay to expand stadium to play Montreal
un sujet a posté LindbergMTL dans Divertissement, Bouffe et Culture
MONTREAL — U2 is putting up $3 million to expand Montreal's former horse racing stadium so it can accommodate 60,000 to 80,000 people for a show this summer. The fact that the band is fronting the costs of building the venue for the July 16 event is a testament to its love of Montreal, according to Jacques Aube, vice-president and general manager of promoter Gillett Entertainment Group. Gillett and tour promoter Live Nation have been working on the possibility of a Montreal date for months. The biggest problem was finding a venue big enough to host the show (including the 150-foot-wide (45-metres) stage, featuring a massive, steel spider-like structure) and comply with U2's request for an open-air stadium. The Olympic Stadium's roof is not retractable, so that 60,000-seat venue wasn't viable; Jean Drapeau Park is too small and even the Hippodrome, the former racetrack, wasn't big enough originally, which led to talks of constructing a venue specifically for the concert. http://www.canada.com/entertainment/expand+stadium+play+Montreal/2229285/story.html © Copyright © Canwest News Service -
Most in Quebec support allowing choice in schooling - English and French
un sujet a posté chris dans L'actualité
A new survey of Quebecers' attitudes on education shows that two out of three prefer to have the right to send their children to any school in the province they choose, public or private. The poll, conducted for The Gazette by Léger Marketing, asked whether students other than those now allowed, including franco-phones, should have access to English-language schools if they wish. A total of 66 per cent of a representative sample of Quebecers agreed that they should - including a 61-per-cent clear majority of francophones. Non-francophones were even more overwhelmingly in favour, at 87 per cent. Women, at 71 per cent, were significantly more so than the 66 per cent of men who agreed. Overall, 30 per cent disagreed - that is, 35 per cent of francophones and 11 per cent of non-francophones. Read more: http://www.montrealgazette.com/life/Most+back+allowing+choice+schooling/3011261/story.html#ixzz0newGaF9e -
Ce fil est pour mettre des nouvelles sur l'industrie automobile au Canada (ventes, etc) Read more: http://www.financialpost.com/story.html?id=2513062#ixzz0eQ4DFfuA It is indeed a little disappointing that the Big 3 aren't really profiting that much from Toyota's woes. Especially considering how good the product is these days (and how reliable American cars are!).
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Read more: http://www.cbc.ca/canada/montreal/story/2010/01/29/qc-charest-protests-india-asbestos.html#ixzz0e4r4XXPU
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(Courtesy of The Montreal Gazette)
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Selon un communiqué de presse du CTBUH: Je ne sais combien de mètres de plus ça donne au 1000 de la Gauchetière, il faudra envoyer quelqu'un mesurer
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Barack Obama faces 30 death threats a day, stretching US Secret Service
un sujet a posté ErickMontreal dans L'actualité
Barack Obama faces 30 death threats a day, stretching US Secret Service US President Barack Obama is the target of more than 30 potential death threats a day and is being protected by an increasingly over-stretched and under-resourced Secret Service, according to a new book. By Toby Harnden in Washington Published: 8:34PM BST 03 Aug 2009 Since Mr Obama took office, the rate of threats against the president has increased 400 per cent from the 3,000 a year or so under President George W. Bush, according to Ronald Kessler, author of In the President's Secret Service. Some threats to Mr Obama, whose Secret Service codename is Renegade, have been publicised, including an alleged plot by white supremacists in Tennessee late last year to rob a gun store, shoot 88 black people, decapitate another 14 and then assassinate the first black president in American history. Most however, are kept under wraps because the Secret Service fears that revealing details of them would only increase the number of copycat attempts. Although most threats are not credible, each one has to be investigated meticulously. According to the book, intelligence officials received information that people associated with the Somalia-based Islamist group al-Shabaab might try to disrupt Mr Obama's inauguration in January, when the Secret Service co-ordinated at least 40,000 agents and officers from some 94 police, military and security agencies. More than a dozen counter-sniper teams were stationed along the inauguration parade route and the criminal records of employees and hotel guests in nearby buildings were scrutinised. Despite all this, there were glaring loopholes in the security. Kessler describes how more than 100 VIPs and major campaign donors were screened by metal detectors but then walked along a public pavement before boarding "secure" buses and were not checked again. It could have been relatively simple for an assassin to have mingled with them in order to get close enough to shoot the new president. After Mr Obama was elected president, his two children Malia, 11, codenamed Radiance, and Sasha, eight, codenamed Rosebud, began receiving Secret Service protection. Mr Obama's wife Michelle is codenamed Renaissance. The Secret Service also started to protect Vice-President Joe Biden's children, grandchildren, and mother. Instead of bringing in more agents - instantly identifiable because of their bulky suits, worn over bullet-proof jackets, and earpieces - the Secret Service directed agents to work longer hours to cover the extra load and to miss firearms training, physical fitness sessions and tests. "We have half the number of agents we need, but requests for more agents have fallen on deaf ears at headquarters," a Secret Service agent told Kessler. "Headquarters' mentality has always been, 'You can complete the mission with what you have. You're a U.S.S.S. agent'." Mr Biden's constant travel, including back to his home state of Delaware-the burden has meant that all agents on his team have ceased training. According to Kessler, however, they fill in forms stating they have "taken and passed all tests, when they have not, creating a dishonest culture". The Secret Service has increasingly cut corners after it was absorbed by the new Homeland Security Department under Mr Bush. Kessler said that when Mr Biden threw the first pitch at the first Baltimore Orioles game of the 2009 season, the Secret Service did not screen any of the more than 40,000 fans, stunning his agents and the local Secret Service field office.
