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http://montreal.ctvnews.ca/forbidden-montreal-an-ancient-set-of-downtown-tombs-1.1043598 Forbidden Montreal - Other episodes from 2012 Forbidden Montreal: Royal Vic's secret storage Forbidden Montreal: Inside the city's beacon Forbidden Montreal: Inside our sewers This episode Forbidden Montreal: an ancient set of downtown tombs http://montreal.ctvnews.ca/forbidden-montreal-an-ancient-set-of-downtown-tombs-1.1043598 CTV Montreal Published Sunday, Nov. 18, 2012 7:01PM EST Last Updated Tuesday, Nov. 20, 2012 2:14PM EST The ancient stone towers tucked behind the walls of downtown’s Grand Seminaire on Sherbrooke just east of Atwater are among Canada’s most ancient structures. The towers also form part of one of the country's most mysterious places as well. Some of the city’s very earliest European settlers came from France to establish a settlement on the spot in the 1680s. Their aim was to promote what they considered a sacred mission to establish a new creed for the New World. Those missionaries sought to spread their unique vision with First Nations people but they brought most of the details of the plan to their graves. Those tombs, deep underneath the seminary, are off limits to all but the custodians. Among those whose remains lie in the crypt, first established in 1661, is Francois Vachon de Belmont who came from Burgundy, France to fund and operate the mission. The Grand Seminaire has since remained one of the city’s longest-running institutions and is also home to many other architectural treasures, including an alluring chapel, where around 8,000 priests have been trained. If there is any off-limits place you'd like to see, just send us an email at [email protected] Series in 2013. CTV Montreal: Forbidden Montreal Former courthouse Annie DeMelt takes you for a tour of Montreal's former courthouse, a heritage building complete with a dungeon and jail cells below. http://montreal.ctvnews.ca/video?playlistId=1.1202711
For their latest museum design in Beijing, Ben van Berkel and UNStudio have designed a formal expression which takes ques from Chinese culture to create an architecture that offers dynamically varied spaces for the NAMOC collections. Based on uniting dualities – past and future, day and night, inside and outside, calm and dynamic, large and small, individual and collective – the two volumes reference ancient Chinese ‘stone drums’ and function in a contemporary way as a media facade with illuminated art projections. The museum focuses on creating varied galleries for the artwork that offer extensive lighting possibilities and ample wall space in order to provide artists and curators with the optimal conditions in which to display their work and communicate their ideas. The circulation is divided into different routes which lead different visitor groups around themed sequences of art and additional programs. “Whilst the architecture of the museum is represented by the ancient artifact of the stone drum, the art within represents its spirit, or its “essence”. In the same way that the agile strokes of ink in a Chinese painting give spirit to a blank piece of paper, the art collection gives spirit to the museum,” explained the designers. In addition to the interior spaces, the museum’s situation within the urban context was of utmost importance. The public urban plinth plateaus of the cultural district serve as connectors to bridge the city with the museum by connecting the street level, the the underground, and the museum volumes. http://www.archdaily.com/189675/national-art-museum-of-china-unstudio/