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mtlurb

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Tout ce qui a été posté par mtlurb

  1. et le problème? Plus de compétition poussent les compagnies à se dépasser, se réinventer ou complètement disparaître.
  2. on se part tu une petition virtuelle pour le projet?
  3. 6 ou 7 représentants, ça va diviser le vote, peut être un PQ ou ADQ va passer hehehe
  4. hehehe en passant Yara, je t'ai vu hier dans le tunnel du métro de square victoria, avec une bandes de jeunes Le momentum n'était pas trop bon pour te saluer, t'avais la tête tourné
  5. Ma photo montre très bien de quoi ça l'air de proche... Très cheap et très blanc. C'est un style de DCYSM je crois que faire ça cheap, on le remarque quand on regarde le concorde, les 1200 maisonneuve et le roc fleury.
  6. Migration: l'île de Montréal, grande perdante Hugo Fontaine La Presse L'étalement urbain se poursuit de plus belle dans la région métropolitaine, selon ce que révèle un bilan des migrations internes de 2006-2007 dévoilé hier par l'Institut de la statistique du Québec (ISQ). L'île de Montréal a vu près de 65 000 de ses habitants quitter vers les autres régions du Québec, surtout vers les régions adjacentes de Lanaudière, Laurentides, Laval et Montérégie. Ce n'est pas un hasard si ces quatre régions ont les taux de migration les plus élevés de la province, alors que Montréal a le plus faible. Montréal n'a reçu qu'un peu plus de 40 000 nouveaux arrivants des autres régions. C'est la cinquième année de suite que la métropole perd un total net de plus de 20 000 habitants au jeu des migrations interrégionales. Heureusement, l'immigration internationale vient compenser ces pertes, indique Jean-François Lachance, démographe à l'ISQ. En 2006-2007, Montréal a reçu 32 000 nouveaux arrivants de pays étrangers. «Le visage de la population montréalaise change», résume M. Lachance. Ce sont surtout les jeunes familles de la métropole qui, préférant la banlieue, affectent le bilan migratoire. À tout le moins, Montréal réussit à attirer beaucoup de 15-24 ans des régions avoisinantes. C'est la seule catégorie d'âge où Montréal a un taux de migration positif. Le bilan de l'ISQ montre encore un déficit migratoire dans les régions éloignées comme la Côte-Nord, le Saguenay-Lac-Saint-Jean, le Nord-du-Québec et l'Abitibi-Témiscamingue. Mais leur situation s'améliore graduellement. Année après année, le déficit se résorbe. «Dans ces régions, le nombre d'entrées est stable, explique Jean-François Lachance. C'est le nombre de sorties qui a diminué.» Le démographe tente une explication: «Ces régions sont très touchées par les fluctuations économiques, mais le taux d'emploi a augmenté au cours des cinq dernières années. Les gens ont donc moins d'incitations pour quitter la région.» Taux nets de migration interne au Québec - Lanaudière: 1,62% - Laurentides: 1,21% - Laval: 0,55% - Montérégie: 0,47% - Capitale-Nationale: 0,31% - Mauricie: 0,30% - Centre-du-Québec: 0,16% - Outaouais: 0,15% - Chaudière-Appalaches: 0,14% - Estrie: 0,08% - Abitibi-Témiscamingue: -0,11% - Bas-Saint-Laurent: -0,17% - Gaspésie-Îles-de-la-Madeleine: -0,21% - Saguenay-Lac-Saint-Jean: -0,35% - Nord-du-Québec: -0,65% - Côte-Nord: -0,72% - Montréal: -1,29% http://www.cyberpresse.ca/article/20080123/CPACTUALITES/801230819/1019/CPACTUALITES
  7. Montréal perd 23000+ personnes pour la banlieu! Bravo M. le Maire Les stats très détaillés ici : http://www.stat.gouv.qc.ca/donstat/societe/demographie/migrt_poplt_imigr/migir_mrc_soldes_2006_2007.htm
  8. Montreal's urban sprawl continues Island loses 20,000 residents to surrounding areas Montreal Gazette Published: 2 hours ago Montreal Island is continuing to lose population to surrounding regions, a study of address changes last year indicates. For the fifth year in a row, Montreal and suburbs on the island suffered a net loss of approximately 20,000 residents, the Institut de la statistique du Québec reported yesterday. Its demographers drew the numbers from new addresses given for medicare cards issued by the Régie de l'assurance maladie du Québec last year. That migration out of Montreal represented an internal loss of 1.29 per cent of the island's 1.85 million residents from 2006 to 2007, the institute said. Conversely, the regions surrounding the city had the highest net gains in population: Lanaudière (1.62 per cent), the Laurentians (1.21 per cent), Laval (0.55 per cent) and the Montérégie (0.47 per cent). Vaudreuil-Soulanges - which includes Hudson, Rigaud and Île Perrot - was the regional municipality with the highest net population gain: 2.56 per cent. Other big increases were scored by the Mirabel regional municipality (2.42 per cent), which encompasses the town of Mirabel, and Les Moulins regional municipality (2.19 per cent), which takes in Mascouche and Terrebonne. http://www.canada.com/montrealgazette/news/story.html?id=7011641e-e5e1-4149-8a29-3ff3f21f77bd&k=9266
  9. Montreal's new music defies category January 22, 2008 By Jim Lowe Times Argus Staff Blair Thomson, second from right, applauds members of the Musica Camerata Montréal as they applaud him after the premiere of his “Don’t be afraid of …” on Saturday at McGill University. Left to right are violinist Luis Grinhauz, pianist Berta Rosenohl, flutist Marie-Andrée Benny, cellist Mariève Bock, Thomson and violist Lambert Chen. Photo: Jim Lowe/Times Argus Musica Camerata MontréalFor its next concert, Musica Camerata Montréal will present "Music of Central Europe," Saturday, March 15, at McGill University's Redpath Hall, 3461 McTavish (at Sherbrooke) in Montreal: Smetana's Piano Trio, Opus 15; Kodaly's Sérénade, Opus 12; and Julius Zarebski's Piano Quintet, Opus 34. Tickets are $30 Canadian, $20 for students; call (514) 489-8713, or go online to www.camerata.ca. MONTREAL – If there is any "Montreal style" of composition, it couldn't be discerned at Saturday's concert by the Musica Camerata Montréal at McGill University's Redpath Hall. The veteran chamber ensemble presented compositions by five contemporary Montreal composers – Serge Arcuri, Jacques Hétu, Robert Rival, Blair Thomson and Claude Vivier – but the works were so diverse in style that there seemed nothing in common save for the traditional instrumentation. The concert honored the Canadian Music Center, celebrating its 35th anniversary, which makes some 15,000 Canadian scores available free to performers. All composers but Vivier, who died in 1983, were in attendance. Most fascinating was the work commissioned by Musica Camerata, "Don't be afraid of …" by Thomson (b. 1963), heard in its premier performance. Full of color, mostly subtle pastels, the one-movement piece for flute, clarinet, piano and string quartet opened with ethereal sounds, edged along by quietly sliding pitches. It was atmospheric, but ever-changing in tonality – and atonality – but then things picked up, with a virtuoso violin solo contrasted by pizzicato among the other strings. It became driving with just a bit more stridence, increasing in velocity – coming to a sudden stop. The up-and-coming Thomson was born and trained in Toronto, but now makes his home in Montreal. A protégé of the late Canadian composer James Tenney (this work is in his memory), Thomson used 21st century rhythmic and harmonic language – with soft edges – and a lot of imagination. Now in its 38th year, the Musica Camerata Montréal, one of the city's most respected chamber ensembles, uses the mix-and-match style of New York's Chamber Music Society of Lincoln Center in its varying instrumentation. Led by violinist Luis Grinhauz, longtime assistant concertmaster of the Orchestre Symphonique de Montréal, the ensemble has made a name for itself performing unusual chamber works of the 19th and 20th century. The ensemble's high level of playing was quite evident as it moved into the 21st century. "Les furieuses enluminures" by the Montreal born-and-bred Arcuri (b. 1954) was episodic in nature and often quite exciting. The respected Quebec composer said he was inspired by Medieval illuminations on a church ceiling in Florence. Written for flute (and piccolo), clarinet, piano and string quartet, it opened with striking clashes of chords, followed by the piano supporting a haunting melody played by the others. It was a constant struggle between tonal and atonal, as he wove a colorful tapestry of solos and various groupings, building in excitement – finally fading out with barely audible flute notes. "Pièce pour violon et clarinette" by Vivier (1948-1938), one of Montreal's most respected composers, was hardly new to the Musica Camerata. The two who played it – Grinhauz and Michael Dumouchel, the OSM's second clarinet – recorded the musical "storytelling" work. At times in parallel, other times in tandem, the two engage in pithy and spicy conversation throughout this little work. It was a delight. The three-movement Serenade, Opus 45, for flute and string quartet, by Hétu (b. 1938), one of Montreal's best-known composers, didn't challenge the audience much, but it gave pleasure. The opening Prélude was light, lyrical, tonal. The larger-scale Nocturne, opening with a viola lament, mixed the conversational and lyrical and indulged in the passionate, finally proving haunting. The scherzo-like Dance was light with a touch of stridence – but not enough to bite. Most traditional was the 2005 Piano Trio by Rival (b. 1975), who is not a resident of Montreal but wrote the work while living in the city. The opening Allegro resoluto was substantial and powerful in a Brahms-like way, its drive interspersed by moments of lyricism. The slow movement, Elegy: Largo, was very moving, with lyrical strings, intense piano, then joining in an almost romantic style. The final Dance: Andante, despite a mundane theme, was full of dance rhythms, spiced by unexpected moments such as an atonal piano contrasting the tonal strings, and nice lyrical interlude. Throughout, the writing was largely tonal but with interesting rhythmic juxtapositions. The Rival benefited from the sensitive and sure-fingered piano of Berta Rosenohl. Marie-Andrée Benny, principal flutist of the Metropolitan Orchestra, Montreal's second, was sensual as well as dexterous in Hétu's Serenade. Violinists Grinhauz and Van Armenian, violist Lambert Chin and cellist Mariève Bock were the able string section. Certainly there were a few intonation and ensemble slips, but this was an able, substantial and convincing performance of some rewarding music. http://www.timesargus.com/apps/pbcs.dll/article?AID=/20080122/FEATURES14/801220317/1011/FEATURES02
  10. MAGNIFIQUE MONTREAL VISIT THE FRENCH CANADIAN CITY WITH A TOUCH OF OOH LA LA… Posted: Tuesday 22 Jan 2008 COMMENTS (0) Above: Hotel St James Located on an island in the St Lawrence River, Montréal, in the French-speaking province of Québec, offers an intriguing mix of North American culture and European heritage – you’ll find Parisian Metro signs and a statue of Queen Victoria in the main square. Canada’s second city is compact, clean and efficient and has a dynamic entertainment scene. The shopping isn’t bad either – you can stroll from the designer boutiques on elegant tree-lined streets to the specialist shops of Little Italy or China or the antique stores strung along the cobbled streets of Old Montréal. WHEN SHOULD I GO? It’s punishingly cold in winter, but you won’t get cold if you head below ground to Underground City – the vast entertainment and shopping mall. Also, the freezing temperatures mean you can head to a nearby ski resort, such as Mont Tremblant, for a short break. Summers are warm but you can cool off with a cruise down the river or a jet boat ride through the Lachine rapids. The international jazz festival (www.montrealjazzfest.com) is held June 26-July 6, while the Just For Laughs comedy festival (www.justfourlaughs.ca), where Jimmy Carr and Billy Connolly have performed, takes place July 10-20. ABOVE: Montreal at night WHERE SHOULD I STAY? If you’re a boutique hotel fan, look no further than 61-room Hotel Le St James (www.hotellestjames.com), housed in a former bank in Old Montréal. It blends traditional upper crust decor in its public rooms with modern furnishings and technology in its bedrooms. Madonna, U2, the Rolling Stones and Sir Elton John have all stayed and we hear that Paris Hilton checked in the night after OK!. The hotel also has private access to the Underground City, which stretches for nearly 19 miles and connects with Metro stations. WHERE SHOULD I EAT? OK! loved the ’50s-style drive-in experience at the Orange Julep (7700 Decarie Blvd). For a relaxed lunch, try Olive et Gourmando (351 St-Paul West) or go one notch up and book a table at the French eatery L’Epicier (311 St-Paul East) in Old Montréal. For people watching, head to a city institution, the chic Café Cherrier (3635 St-Denis), which has a fantastic outdoor terrace. In the evening, try local favourite Les Deux Pierrots (104 St-Paul East), an intimate French-style cabaret, or for fine dining Bonaparte (447 St-Francois-Xavier). And make sure you try the Québecois speciality poutine – chips with melted cheese curds and gravy. It tastes a lot better than it looks! WHAT MUST I SEE? There are two highlights you shouldn’t miss. For panoramic city views take the bus (number 11 from Mont-Royal Metro station) to the summit lookout. Depending on the time of year, you can walk, snow-shoe in the park or hire a pedalo on Beaver Lake. Next up, Old Montréal. Tour it in a horse-drawn carriage or wander on foot taking in the Pointe-à-Callière museum, which presents Montréal’s history in a fascinating interactive way. Or you can pop into the ornate Notre-Dame Basilica, where Céline Dion was married, or pick up some souvenirs at the Bonsecours market. WHERE SHOULD I STOP? Montréal is a cornucopia of shopping opportunities, with 1,200 boutiques in a nine-block area. The best can be found along Rue St-Denis, Laurier Avenue or in Old Montréal for arty finds. In the downtown core you’ll find department stores Ogilvy (1307 Ste-Catherine) and Holt Renfrew (1300 Sherbrooke West), which house international designers and smaller celeb-coveted labels. Given the exchange rate, there are some fantastic bargains to be had. For shops on St-Denis, head to Moly Klute – not for the shy, retiring type! The funky, recycled clothes and accessories, such as a tote bag made from records, will certainly be talking points. Almost next door is Muse, where designer Christian Chenail offers some fab casual dresses. Dubuc is one label that’s causing ripples internationally. His clothes focus on tailored menswear with slight quirks, like the suit jacket with a vest stitched on top. Foodies will salivate in Arthur Quentin, which has every kitchen gadget imaginable. Finally, Revenge has been at the forefront of Canadian design and brings 25 smaller eclectic labels under one roof. WHICH STARS MIGHT I SEE? Montréal is a hot favourite with filmmakers. Last year alone you could have bumped into Brad Pitt and Cate Blanchett filming The Curious Case Of Benjamin Button, Jason Statham shooting Death Race, or Evangeline Lilly in Afterwards. Meanwhile, Kate Beckinsale was in they city to film Whiteout and Anne Hathaway for Get Smart. WHAT'S THE NIGHTLIFE? There’s plenty to do at night. The best bars and clubs are located on Crescent Street and Blvd St-Laurent above Sherbrooke Street, the latter being more upmarket. It takes 25 minutes to walk between the two streets or it’s a five-minute cab ride. For the best views, head to the sleek lounge bar Club 737 (1 Place Ville-Marie) atop one of Montréal’s tallest skyscrapers, or to Pullmans Wine Bar (3424 Avenue du Parc), a chic-minimalist joint with a lengthy wine list. HOW DO I GET THERE? British Airways (0870 850 9850; www.ba.com/montreal) is currently offering a three-night Montréal Sweet Escape package from £479 per person including flights from London Heathrow and accommodation in a four-star hotel. http://ok.co.uk/travel/view/314/Magnifique-Montreal/
  11. Naissance officielle d'Affiliation Montréal Le chef d'Affiliation Québec, Allen Nutik Les anglophones et allophones du Québec auront un parti pour les représenter aux prochaines élections provinciales. Le directeur général des élections du Québec a en effet autorisé officiellement lundi la création du parti Affilliation Québec, fondé par des anglophones de l'ouest de l'île de Montréal. Selon le chef d'Affiliation Québec, Allan E. Nutik, son parti offre une représentation aux minorités linguistiques du Québec, notamment aux anglophones. En occupant l'ancien créneau du défunt Parti Égalité, la nouvelle formation politique espère faire des gains parmi les anglophones et les allophones déçus du Parti libéral du Québec et ceux qui ne se reconnaissent pas dans le programme de l'ADQ et du PQ. Des partis qui n'offrent rien aux minorités linguistiques de la province, selon Allen Nutik. Le chef d'Affiliation Québec, qui devient le 16e parti officiel de la province, prévoit présenter six ou sept candidats aux prochaines élections provinciales. http://www.radio-canada.ca/regions/Montreal/2008/01/22/004-affiliation-quebec_n.shtml
  12. ah je crois que je me trompe, les voies sont déjà doublés... par contre elles le seront plus en amont, alors il va quand même y avoir plus de trains sur la ligne.
  13. Qu'est-ce qu'il y a de particulier à vouloir conserver? La brique jaune pisse? Les fenêtres décalés d'un étage à l'autre? Sa forme rectangulaire? Pour moi, les années 50-60-70, c'est une régression dans la beauté des bâtiments construits. On passe de l'art deco, où il n'y avait pas d'uniformité et où il y avait de l'art mélangé à l'architetcure, aux immeubles carrés, complètement uniformes, où plus c'est cheap, mieux c'est. Par contre, je sais que là-dessus, habsfan ne pensera pas comme moi. Je suis bien d'accord avec toi MTLskyline.
  14. hiiiii shiiiit.... L'art de démolir une belle architecture... ( je parle évidement de sa transformation d'avant, pas de le démolir maintenant)
  15. Négatif...et c'est dommage. Le vieux bâtiment restera comme ça (je crois, mais sans sources). On n'a même pas enlevé le Montréal vert en haut de l'édifice! Il doit être historique ou quelque chose comme ça. Personnellement, je trouve son petit bleu très très laid.
  16. Content de savoir que je ne suis pas seul. Quand on lit les commentaires sur ce fil, tout le monde ne fait que protéger le bâtiment, comme quoi il n'est pas assez protégé et que le westin ne fit pas avec lui et sa beauté...
  17. Je sais que vous ne m'aimerez pas, mais je ne vois rien de grand dans l'édifice de la Gazette, et j'aurais préféré qu'il le détruise pour construire quelque chose de plus gros et d'important... Vous me détestez tous maintenant...
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