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Music: KARD - Don't Recall (Hidden Ver.)
Je ne savais pas trop où mettre ce sujet, il y a un fil sur les rénovation, mais je crois qu'il devrait avoir une catégorie complète la dessus. Alors je lance cette proposition au admin.
faire revivre le Cinema V sur la rue Sherbrooke en centre culutrel.
The Gazette Source
There's new hope for old building, Empress Cultural Centre executive says
Will we ever see a sequel to landmark movie house?
Its exterior is adorned with the faces of Egyptian nobility, enshrining a grandiose Hollywood pedigree, yet the former Cinema V movie house on Sherbrooke St. and Old Orchard Ave. in Notre Dame de Grâce seems unloved these days, and even more entombed in snow that the rest of us. The art deco building, first opened in 1927 as the Empress Theatre, was last used as a cinema in 1992. Following last month's $225,000 grant from the Côte des Neiges/Notre Dame de Grâce borough, the Empress Cultural Centre, as it is now called, might become the new home to the Black Theatre Workshop and the McGill Conservatory's Community Program, part of the Schulich School of Music at McGill University. The $6.5-million project includes a 300-seat theatre, rehearsal space and two medium-size halls for music, dance and theatre lessons. If Quebec kicks in the rest of the funding, the grand reopening could be in 2010. But will it actually happen? Businessperson and microbrewer Peter McAuslan is on the board of the Empress Cultural Centre.
Gazette: Why should this plan succeed any more than previous ones?
McAuslan: Because we finally have credible partners like the Black Theatre Workshop and the McGill Conservatory of Music. Until now, we had raised between $200,000 and $300,000 ourselves, but that was pretty much it. Now, the city has matched it (and a technical plan for the project has been agreed upon). The Black Theatre Workshop (as a performance production company) can apply for the grant from Quebec.
Gazette: Some board members really went out on a limb (at one point cashing in their RRSPs to pay some back taxes on the property). Why was it so important to them?
McAuslan: It's an elegant building and it's important to Montreal. The architects (Alcide Chaussé and Emmanuel Briffa) really reflected the public's fascination with art deco and with Egypt after King Tut's tomb was discovered in the 1920s. People came there to see movies and escape the blues of the Depression. It really became part of the fabric of the N.D.G. community, even more so later with the Cinema V. It's a place in time.
Gazette: Why go to so much
trouble relocating cultural groups? Aren't they just fine where they are?
McAuslan: There is a huge synergy when you move several cultural groups, like music and theatre, into a shared space. The crossover between the disciplines is a benefit to everyone. This is the way of the future for the arts, trying to integrate instead of staying separate. In a shared space, other (smaller) arts groups also get access they wouldn't have otherwise. There will be vernissages and spinoffs. The centre will become part of the lifeblood of the local community, and not be shaped by a massive bureaucracy. N.D.G. is a very grassroots-oriented place.
Gazette: Why is it taking so long?
McAuslan: There has always been money available from governments, but there is a Byzantine application process and I don't really understand it. Now, we have people (involved in the project) who do understand how the machine works. You know, the Empress has never been designated as a heritage building. It's just had some good people, including the city (which bought it in 1999 for $571,000, and granted ownership to the corporation that became the Empress Cultural Centre) looking out for it. It's taking a long time, like many other arts projects in the city. But it is grinding its way to reality.
The jury members are:
- Melvin Charney, architect; - Odile Decq, architect and Director of the École Spéciale d'Architecture, Paris; - Jacques Des Rochers, Curator of Canadian Art, Montréal Museum of Fine Arts; - Michel Dionne, architect, Cooper, Robertson & Partners, New York; - Raphaël Fischler, urban planner and professor at the School of Urban Planning, McGill University; - Mario Masson, landscape architect and Division Manager, Service du développement culturel, de la qualité du milieu de vie et de la diversité ethnoculturelle, Ville de Montréal; - Alessandra Ponte, associate professor, School of Architecture, Université de Montréal; - Philippe Poullaouec-Gonidec, landscape architect and holder of the UNESCO Chair in Landscape and Environmental Design at Université de Montréal.
Instructions for prospective entrants
(Courtesy of CNW Telbec)
Repairs to Hélène de Champlain building force eatery to shut
Restaurant's owner plans to close it down when lease expires at end of 2009
ALAN HUSTAK, The Gazette
Published: 8 hours ago
The building that houses the Hélène de Champlain restaurant on Île Ste. Hélène needs massive repairs, and the restaurant will close for good in 16 months when its lease expires.
Pierre Marcotte, the French- language television personality who has leased the red sandstone building from the city since 1983, says the property needs between $3 million and $5 million in repairs.
"We have no choice but to close," he said. "The city has decided not to renew its lease after 2009 in order to undertake the repairs. That could take a year or more to complete. The electrical and heating systems are outdated, and major repairs to the building itself are necessary." Initially meant to be a sports pavilion, the island chalet was built during the Depression as a Quebec government make-work project. It was designed by Émile Daoust to resemble a Norman château, and the grounds were landscaped by Frederick Todd. It was turned over to the city in 1942 and in 1955 became a municipal restaurant, but didn't get a liquor licence until 1960.
In 1966, Mayor Jean Drapeau had the building redone as the official residence for Expo 67's Commissioner-General, Pierre Dupuy. It also had a hall of honour next to the main dining room that was used by Drapeau as a reception centre for visiting dignitaries and heads of state.
The reception for French President Charles de Gaulle was held in the chalet after he delivered his controversial "Vive le Québec libre" speech.
Even though the restaurant proved to be a money-loser, Drapeau kept its five dining rooms open until 1977, when they were closed because of a labour dispute. They reopened in 1981.
Marcotte said he does not plan to renew his lease, and no one is certain what will happen to the building once the repair work is done. In the past, there has been talk of converting the site into a hotel for high rollers at the Montreal Casino.
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