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Found 9 results

  1. Statoil Fuel & Retail sells its Schweigaardsgate 16 property in Oslo 13 February 2013 – Statoil Fuel & Retail, a wholly-owned subsidiary of Alimentation Couche-Tard Inc. (Couche-Tard), sells its property at Schweigaardsgate 16, Oslo, Norway, together with the company’s planned European headquarters, to Entra Eiendom AS. Responsibility for building the headquarters is transferred to Entra Eiendom as part of the agreement. Statoil Fuel & Retail signs a long-term lease of the premises. “We are pleased with the agreement,” says Sonja Horn, project owner, Statoil Fuel & Retail. “Entra Eiendom is a solid, professional real estate developer who will add value both to the project and the local community. We look forward to moving into a modern, environmentally-friendly and flexible building, tailored to our needs.” Statoil Fuel & Retail’s strategy is to create value through real estate asset management. It is not strategically important for the company to own its planned European headquarters and the sale releases capital to be reinvested in the company’s core business. Statoil Fuel & Retail was acquired by Canadian company Couche-Tard before the summer of 2012. The company’s European headquarters will continue to be in Oslo and the new office building at Schweigaardsgate 16 will be shared with the company’s Norwegian business unit. The project to build the planned eight-storey building has the ambition to achieve “excellent” status according to the BREEAM classification system. To maintain the best possible sunlight conditions for Teaterplassen, the neighbouring square, some of the originally-designed volume has been redistributed, making the building appear to step down towards the square. The quality of the square will be improved when the building is finished. It will become about 25 percent larger than it is today and a new passage through the building will connect Teaterplassen with the adjacent Stasjonsalmenningen. Statoil Fuel & Retail has received the required building and demolition permits from the Norwegian Planning and Building Services (Plan- og bygningsetaten). Demolition of the existing building on the property begins this week. The company plans to move into its new headquarters in the first half of 2015. Statoil Fuel & Retail sells its Schweigaardsgate 16 property in Oslo
  2. Courtesy of Visit Oslo Oslo a great city. I just got back from there. You at least need 2 days there. One thing is for sure, the new museum will be a great addition to all the modern buildings that are there now.
  3. (Courtesy of theFinancial Post) PDF Enjoy the short read I will try and compare Montreal, Toronto and New York with all the info they put in the PDF.
  4. Technology and patient experience are key in €1billion design After 9 years in the making, the Akershus University Hospital near Oslo, Norway has opened. Designed and constructed by C. F. Møller Architects, it has a total area of 137,000 sq m and cost €1 billion to construct. During construction, from 1 March 2004, to 1 October 2008, some 1,400 people from 37 different nations contributed over 6.2 million man-hours erecting the new ‘super hospital’. The large-scale building will serve the 340,000 inhabitants from surrounding municipalities and boasts space for 50,000 in-patients with 4,600 staff members, including 426 doctors. The vision was to create something economical, innovative and a place people can relax and be at ease. Klavs Hyttel, partner in C. F. Møller Architects and lead architect of the project commented, “The concept of security should encompass both efficiency, technology and the familiar patterns of the daily routine. It is through this balancing act that we have created the architectural attitude of the building." The building differs in form throughout, yet notions of light and the outside environment are a common factor linking the assorted areas. Achieved through a glass covered main entrance, brightness is promoted throughout the main artery of the building. Coupled with the overriding use of wood as a key component in the structure. Adding colour and inspiring recovery, a €2.3 million art programme is in place mixing work from fresh and established Scandinavian artists. Contrasting with the organic materials in use are the advanced technological incorporations: Doctors can order medicine via PC which is then automatically dispatched to the patient; robotic un-manned trucks deliver bed linen and each patient bed comes with a TV, telephone and internet access. These futuristic practises give patients a more relaxed stay and increase the contact time they receive whilst enhancing the efficiency of such an institution. David Shiavone Reporter http://www.worldarchitecturenews.com/index.php?fuseaction=wanappln.projectview&upload_id=10465
  5. Munch Museum to join Opera House in Oslo's new cultural district Spanish firm Herreros Arquitectos has won first prize in the invited international competition for a master plan of the Bjorvika neighborhood, Oslo, proposing the Munch Museum as the focus. The future complex formed by the Munch Museum MM and the Stenersen Museum Collections is not only to safeguard and disseminate a basic heritage of the history and character of Norwegian culture. The complex is conceived as an institution which is open to the city and highly visible, that “which must be visited many times in a lifetime”, said the spokesperson for Herreros. The project’s spaces include a Leisure Island; Beach Area; Museum Island; Munch Plaza; Library Plaza; Bispekaia Market Square and Housing Courtyards. The Museum building is located at the end of the Pauselkia Peninsula, near the Oslo Opera House, avoiding the cones of perception and ensuring views over the fort from the surrounding mountains are kept. With this position Herreros aim to intensify the tension between the fjord and solid ground, and to avoid the arrogant gesture of placing it frontally. The museum is built as a vertical concrete box of 16 m of free light hermetically sealed except when the program requires opening of spaces. It is built with four 40 cm thick screens which form a prism, the long sides of which require buttresses (60x30cm) every 6m which embrace lightly post-tensioned flagstones. The gap resulting from levelling up the buttresses in order to have exhibition rooms with continuous walls generates an installations chamber which is highly versatile and which runs along the building and ensures exhaustive control of the networks in each room. The proposal as a whole is notably integrated with energy and environmental sensitivity issues. The mass use of water from the fjord as a temperature controlling element in the building is based on the elimination of air conditioning as far as possible, substituting it for an element which is easily treated, subject to work at low temperature and with a minimum waste of energy. http://www.worldarchitecturenews.com/index.php?fuseaction=wanappln.projectview&upload_id=11495
  6. Prices 1. Oslo 2. Copenhagen 3. London 4. Dublin 5. Zurich 18. New York 19. Toronto 22. Montreal Survey
  7. From Wikipedia, the free encyclopedia The Barcode Project is a section of the Bjørvika portion of the Fjord City redevelopment on former dock and industrial land in central Oslo. It consists of a row of new multi-purpose high-rise buildings, due to be completed in 2014. The developer is marketing the project as "The Opera Quarter." There has been intense public debate about the height and shape of the buildings. video from Kristian Larsen
  8. http://www.domusweb.it/en/news/2014/03/06/jonas_dahlberg_to_design_july_22_memorial_sites.html Director of KORO/Public Art Norway Svein Bjørkås announced few days ago the jury’s evaluation of submissions and final decision in the closed competition July 22 Memorial sites, to create three memorials, one of which cuts a 3.5m slit in the landscape, to remember the victims of Anders Behring Breivik. The jury’s decision was unanimous, voting Swedish artist Jonas Dahlberg as winner of the competition.

 Dahlberg’s concept takes the site at Sørbråten as its point of departure. Here he proposes a wound or a cut within the landscape itself to recreate the physical experience of something being taken away, and to reflect the abrupt and permanent loss of those who died on Utøya. The cut will be a three-and-a-half-metre wide excavation running from the top of the headland at the Sørbråten site to below the waterline and extending to each side. This gap in the landscape will make it impossible to reach the end of the headland. The material excavated from the cut at Sørbråten will be used to build the foundation for the temporary memorial at the Government Quarter in Oslo, and will also subsequently serve as the foundation for the permanent memorial there. Jonas Dahlberg, July 22 Memorial site. Alette Schei Rørvik From the Jury’s evaluation: 
"Jonas Dahlberg’s proposal takes the emptiness and traces of the tragic events of 22 July as its starting point. His suggestion for the Sørbråten site is to make a physical incision into the landscape, which can be seen as a symbolic wound. Part of the headland will be removed and visitors will not be able to touch the names of those killed, as these will be engraved into the wall on the other side of the slice out of nature. The void that is created evokes the sense of sudden loss combined with the long-term missing and remembrance of those who perished.
 Dahlberg has proposed to move the landmass taken out of the rocky landscape at Sørbråten to the permanent and temporary memorial site in the Government Quarter in Oslo. By using this landmass to create a temporary memorial pathway between Grubbegata and the Deichmanske Library, a connection is forged between the memorial sites at Sørbråten and the Government Quarter. The names of those killed will be recorded on a wall that runs alongside the pathway.
 The proposed permanent memorial site in Oslo takes the form of an amphitheatre around Høyblokka. Dahlberg also proposes to use trees taken from Sørbråten in this urban environment to maintain the relationship between the memorial sites in the capital and to the victims of the atrocities at Utøya. 
The Jury considers Dahlberg’s proposal for Sørbråten as artistically highly original and interesting. It is capable of conveying and confronting the trauma and loss that the 22 July events resulted in a daring way. The proposal is radical and brave, and evokes the tragic events in a physical and direct manner." Jonas Dahlberg, July 22 Memorial site. Photo Alette Schei Rørvik
  9. EIU 2007 1. Oslo 2. Paris 5. Tokyo 26. Moscow 28. New York City 31. Barcelona 34. Vancouver 36. Montreal tied with Chicago 41. San Fran 44. St Petersburg (Russia) tied with Washington D.C 47. Tel Aviv 68. Mexico City 92. Budapest This is what I could disect from citymayors, i could have taken all the cities they had on the list but this one way more simple. I just cant wait until Mercer and UBS release their findings for 2007. Mercer 2006 1. Moscow 18. Dublin 24. Tel Aviv 25. Dubai 56. Vancouver 80. Montreal UBS 2006 1. London 8. Dublin 20. Munich 21. Montreal 30. Dubai 42. Tel Aviv EIU 2006 1. Oslo 43. Montreal tied with Vancouver