Search the Community

http://www.nytimes.com/interactive/2015/11/19/travel/what-to-do-in-36-hours-in-montreal.html 36 Hours in Montreal Whether you want to embrace the season on rinks, trails or runs, or dodge the cold and head to the spa, this vibrant city has it all. Winter is right around the corner, and when the going gets cold — like zero-degrees-Fahrenheit cold — Montrealers get resourceful. Some dodge Canadian winter amid the heated vapors of the city’s Nordic spas or the warming drinks of cozy bars. Others embrace it by skiing and skating in public parks, cheering the hometown Canadiens hockey team and ingesting hearty meals in the new wave of forestlike and lodge-inspired restaurants. And still others flamboyantly celebrate the frozen season, reveling at Igloofest (an outdoor electronic-music extravaganza), Montréal en Lumière (a food and entertainment festival) and sugar shacks (forest canteens that sprout during maple-syrup season) amid near-Arctic conditions. Whether you are more interested in creative cocooning or winter worship, Quebec’s biggest city offers manifold amusements for the province’s defining season. Outerwear recommended. Friday 1. *Ready, Set, Snow, 5 p.m. Skate, ski or sled into winter at Parc du Mont-Royal. (The mountain it partly occupies is said to have provided Montreal’s name.) The sprawling hilltop park is the center of activities involving snow and ice. From December to March, Le Pavillon du Lac aux Castors rents skates (9 Canadian dollars, or $7 at 1.30 Canadian to the U.S. dollar, for two hours), cross-country skis (12 dollars and up for one hour) and inner tubes (5 to 9 dollars, depending on age, for the day) for the nearby outdoor rinks, trails and runs, some affording lovely city views. 2. *Enchanted Forest, 8 p.m. Reheat in the stylish confines of the new SouBois restaurant and nightclub. The underground space suggests a magical woodlands where avant-garde sculptural trees hover over a dining room of plank floors, shingled walls, raw-wood tables and Scandinavian-style chairs. The chef, Guillaume Daly, conjures magic too, metamorphosing rustic Canadian ingredients into innovative treats. The poutine is a gorgeously gloppy stack of greasy thick fries — piled like logs in a fire, and drenched with velvety warm Cheddar sauce, pungent mushrooms and an unctuous block of foie gras — while veal steak gets a funky crunch from spiced popcorn. For dessert, revisit campfire memories courtesy of deconstructed s’mores, replete with cubed marshmallows, jagged chocolate fragments and crumbled cookies. A three-course dinner for two costs about 110 dollars. Make reservations. 3. Canadian Libations, 10 p.m. The staggering whisky menu at the Burgundy Lion, a lively British-style pub with dark wood surfaces and frosted glass, offers further means to warm up. The more exotic specimens hail from Taiwan, Sweden, France and Switzerland, while Canadian representatives include Wiser’s Red Letter (12 dollars), a mellow elixir with a hint of toasted nut. Down the street, candlelit La Drinkerie Ste. Cunégonde offers several Canadian beers as chasers, including Les Trois Lettres IPA (5.50 dollars), a fragrant, floral brew with hints of clove and nutmeg. Saturday 4. Earth and Sky, 9 a.m. Still chilly? Eternal summer awaits inside the humid tropical forest of the Biodôme, a glass-roofed nature preserve containing multiple ecosystems. You might glimpse iguanas, frogs, bats, snakes, sloths and other exotic creatures as you wend your way among the dense vegetation, streams and stone caverns. The trail then takes you into forest, mountains, Atlantic gulf and subarctic islands (complete with penguins). Next door, the two-year-old Rio Tinto Alcan Planetarium is a postmodern silvery structure shaped like two telescopes pointed at the sky. Within, two domed theaters-in-the-round take you on immersive sensory journeys across the cosmos with shows like “Dark Universe,” about dark matter and energy, and “Aurorae,” about the Northern Lights. Admission to both facilities costs 33.50 dollars. Check the website (espacepourlavie.ca) for the film schedule. 5. *Shack Snack, Noon If you can’t get to a real sugar shack, the “Sugar Shack” sampler (11.95 dollars) at Eggspectation — a vast all-day breakfast and brunch hall on fashionable Rue Laurier Ouest — is a copious, calorie-rich substitute. Typical sugar shack fare, the dish heaps on fluffy scrambled eggs, sliced ham, baked beans, fried potato slices and unfilled sweet crepes along with ample maple syrup. The restaurant’s formidable menu also encompasses everything from lobster macaroni and cheese (18.95 dollars) to around 10 types of eggs Benedict. 6. **Buy Canadian, 1:30 p.m. You’ve probably grown a size since that meal. Conveniently, the boutiques along Rue Laurier Ouest brim with Canadian-made garments to accommodate your expanded frame. Chic insulation abounds at La Canadienne, where ladies can score weather-treated knee-high suede boots (450 dollars), a long quilted silvery jacket with a fur-lined hood (1,125 dollars) and much besides. Cool, straightforward, solid-colored garments to wear underneath can be found in the eponymous boutique of the veteran Montreal designer François Beauregard, including stretchy jersey T-shirts in autumnal colors (50 dollars) and dark blue 1940s-style trench coat dresses (189 dollars). Strut the ensemble to Juliette & Chocolat, a cafe serving some 20 types of hot chocolate, complete with tasting notes (6.75 to 8.50 dollars, generally). 7. **Chromatherapy, 3 p.m. With its colorful collections of art and antiquities, the Musée des Beaux Arts de Montreal illuminates even the grayest Montreal days, notably in the ground-floor galleries of 19th- and 20th-century painting. Mediterranean sun, sea and palms radiate from Matisse’s “Seated Woman, Back Turned to the Open Window,” a 1922 canvas set in the French Riviera city of Nice. Almost adjacent, the disassembled, fractured and explicitly naked couple in Picasso’s erotic “Embrace” (1971) generates a different kind of heat. A kaleidoscopic array of iconic furniture and housewares fills the multilevel design pavilion, from burgundy Arne Jacobsen “Egg” chairs to candy-colored Ettore Sottsass bookshelves to space-age 1970s red televisions from the Victor Company of Japan. A sleek yellow Ski-Doo snowmobile from 1961 begs to be borrowed for a joy ride. Admission: 20 and 12 dollars, depending on exhibition. 8. **North Stars, 7 p.m. Canadian pride suffuses the friendly, lively new Manitoba restaurant. Animal furs and raw logs decorate the industrial concrete room, and indigenous ingredients from the Great White North fill the chalkboard menus. Among starters, the plump baseball-size dumpling spills out shredded, succulent pork tongue and flank into a tangy broth floating with crunchy daikon for a Canadian-Chinese mash-up. For mains, thick deer steak gets a zesty drench of red wine sauce infused with Labrador tea and crunch from root vegetables like candied carrot and smoked onion. Maple syrup-smoked bone marrow is topped with berries, onion and Japanese mushrooms for a sublime hunter-gatherer hybrid. A three-course meal for two is about 100 dollars. 9. *Liquor Laboratory, 10 p.m. Tucked across from Parc La Fontaine (a favorite ice-skating spot), Lab is a dimly lighted speakeasy of brick and dark wood where the mad mixologist Fabien Maillard and fellow “labtenders” ceaselessly research new cures for your sobriety. Who else could invent the Jerky Lab Jack (14 dollars), a concoction of Jack Daniels whisky, Curaçao, cane sugar and bitters flavored with barbecue sauce? It’s a gulp of the American south, flamed with a blowtorch and delivered under a miniature clothesline hung with beef jerky. Continuing toward the Equator, Caribbean flavors infuse the dozens of specialty rums (from Cuba, Jamaica, Trinidad, Grenada and beyond) and cocktails like Bébé Dragon, a blast of Barbados rum, house-made ginger syrup, lemon juice, lemon-lime soda, mango and basil (14 dollars). Reserve spots online. Sunday 10. Vintage Voyage, 10 a.m. Finally: a place stocking those stag heads, Lego figurines, cowboy paintings, flapper hats, snow shoes, lace doilies and neon signs you’ve had trouble finding. Near the last stop of the Metro’s blue line, Marché aux Puces Saint Michel is a vintage shopper’s Shangri-La. The sprawling, dusty, musty two-level labyrinth-like flea market holds hundreds of stalls selling the contents of seemingly every Canadian attic and basement. Kiosk 216 has an impeccable collection of vinyl LPs from the “Valley of the Dolls” soundtrack to Serge Gainsbourg’s “Grandes Chansons de Gainsbourg,” while Artiques (kiosk 219; 514-898-2536) sells well-maintained pinball machines, jukeboxes, pipe organs and radios. For gents needing winterwear, La Garette d’Anna (kiosk 358; facebook.com/LaGaretteDAnna) sports an extensive collection of bomber jackets, capes, police caps and pith helmets. Haggle. 11. Ship Shape, 1 p.m. Norway, Sweden and Finland have mastered the art of stylishly dealing with cold weather, and Montreal has paid homage to these experts with numerous Nordic-themed spas around town. The most innovative is Bota Bota, a former ferryboat that was remade in sleek contemporary style and reopened as a wellness facility in the winter of 2010. Spread over five decks, the indoor-outdoor spa offers many massages and facial treatments, but the core experience is the “water circuit” (35 to 70 dollars depending on day and time). Sweat out the weekend’s toxins in a Finnish sauna or hammam; plunge into one of the cold pools; and finally chill out in one of the relaxation areas or the restaurant. The 678 portholes and numerous wall-size glass panels afford superb views of the city skyline, though the best vantage point is the external heated whirlpool bath. There might be no warmer spot amid wintry Montreal. Lodging With 131 suites, downtown’s Hotel Le Crystal (1100, rue de la Montagne, 514-861-5550) offers anti-winter pampering perks like an indoor saltwater pool and an outdoor year-round rooftop hot tub, both with city views. Some executive suites and penthouses have operational fireplaces. Double rooms from 199 Canadian dollars. Situated in the hip Plateau neighborhood, the 21-room Auberge de la Fontaine (1301, rue Rachel Est, 514-597-0166) lies across the street from leafy Parc La Fontaine — home to an outdoor skating rink — and down the street from Lab cocktail bar. Certain rooms have whirlpool baths. Doubles from 122 Canadian dollars.

Check this Prologue!!! first 6 minutes of the movie! Insane! <object width="450" height="358"><param name="movie" value="http://www.traileraddict.com/emb/5367"></param><param name="wmode" value="transparent"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.traileraddict.com/emb/5367" type="application/x-shockwave-flash" wmode="transparent" width="450" height="358" allowFullScreen="true"></embed></object>

Natalie Finn Sat Feb 21, 1:59 am ET Los Angeles (E! Online) – It's not going to snag 11 Oscars, but The Dark Knight—Christian Bale and all—is nipping at Titanic's heels in the court of public opinion. The 2008 blockbuster has surpassed $1 billion at the worldwide box office, Warner Bros. announced late Friday. According to BoxOfficeMojo.com, the critically acclaimed Caped Crusader sequel—which actually could win eight Academy Awards on Sunday—is now in fourth place on the list of all-time box office grosses, behind only Titanic ($1.84 billion), The Lord of the Rings: The Return of the King ($1.12 billion) and Pirates of the Caribbean: Dead Man's Chest ($1.07 billion). The Dark Knight is currently sitting pretty with $1.001 billion, while the fifth-place Harry Potter and the Sorcerer's Stone is way back there with $974.7 million. $533.1 million of that billion-plus sum was grossed in U.S. theaters, while $468 million was raked in overseas. Warner Bros.' news comes along with the announcement that The Dark Knight is also now the top-grossing 2-D IMAX release of all time, with $64.9 million grossed worldwide. ··· THEY SAID WHAT? Get today's most commented stories now at http://www.eonline.com Copyright © 2009 Yahoo! Inc. All rights reserved.Questions or CommentsPrivacy PolicyTerms of ServiceCopyright/IP Policy

For those who enjoy's mega-production blockbusters...

http://montrealgazette.com/news/local-news/montreal-re-imagined/montreal-reimagined-cityscape-is-more-than-only-a-view The Montreal Re-Imagined section is presented by Concordia University Concordia University Montreal Reimagined: Cityscape is more than only a view MONTREAL, QUE.: April 02, 2015 -- Logo staff mugshot / headshot of Luca Barone in Montreal Thursday April 02, 2015. LUCA BARONE, SPECIAL TO MONTREAL GAZETTE Until I graduated, my daily hike up to McGill’s Faculty of Law on the corner of Peel St. and Dr. Penfield Ave. began at the corner of de Maisonneuve Blvd. W., where I would emerge into daylight from the métro station. Ascending into the world from the underground takes a little readjusting: you look around to get your bearings, check the weather, and let your eyes readjust to the sunlight. I was never afforded much to look at until I began walking north up Peel and glimpsed the mountain. The east-west view along de Maisonneuve is disappointing. Look left or right and the view is the same: dark towers pockmarked with windows rise up on the horizon. When a building obstructs a view down a street and becomes the focal point of what you see, it is known as a terminated vista. They can be a blessing and a curse. They also can help create a sense of destination and diversity in a city and can be manipulated to highlight significant landmarks. The view of McGill’s campus against the backdrop of Mount Royal from McGill College Ave. is one of Montreal’s iconic landscapes. Looking south down St. Urbain St., the view of the Art Deco waterfall of the Aldred Building on Place d’Armes is another example of a successful blocked view that beckons rather than repulses, as is the view of the dome of the Hôtel-Dieu looking north along Ste-Famille. These landmarks create a sense of place and they are symbols of our city. But look south down Parc Ave. toward Place du Parc (the Air Transat building) and the view is hardly inspiring. When the view down a street ends in a blank tower, the terminated vista does not help create a more livable city. Not every building should be monumental or iconic, but any urban building should make you want to walk toward it rather than avert your eyes. Downtown towers should be built because they have many virtues, from proximity to public transit to the lower environmental effect of higher population density, but we should not ignore how these buildings relate to their surroundings. Uniformity should not be the goal, either: a building should not have to look exactly like its neighbours, but it should complement them. Without exaggerating the importance of the look and shape of buildings, Montrealers deserve more than what we’re getting from urban planners, architects and real estate developers. We should trudge out of the métro and be delighted by what we see. In a city full of talented architects, much of the blame for uninspired buildings lies with real estate developers who don’t hire local talent, and city councillors and urban planners who give construction permits without paying sufficient attention to buildings’ visual impact. The Louis-Bohème building on the corner of Bleury and de Maisonneuve is an example of a building that succeeds on many levels. Its apartments make the best use of the land by increasing the density of residents in the area. It also has underground parking and shops at ground level, from where you can also access the Place-des-Arts métro station. In many ways, the building represents exactly the kind of development Montreal needs. But it fails as an element of the urban landscape. When you see it rising above Parc or de Maisonneuve, the view of its charcoal concrete panels leaves you unmoved at best and intimidated at worst. In a city that suffers from interminable winters exacerbated by short days and little sunlight, buildings clad in light-absorbing, dark materials are not merely ugly — they should be considered a public health concern. One way to improve urban design would be to develop a sustainable local architecture that is responsive to our climate. Initiatives like the Quartier des Spectacles’ Luminothérapie winter light installations are a great start, but the city should take a more active role in promoting architecture that makes long winters more bearable. For example, Edmonton has issued specific winter design guidelines that promote architectural features that block wind, maximize sunlight, and enliven the cityscape as part of its “WinterCity Strategy.” It is not easy for a building to enrich its surroundings while responding to the demands of a city and its inhabitants, the climate and the economy. But our buildings speak eloquently about who we are and what we value. We have to live with them for decades, if not centuries. It’s worth getting them right sent via Tapatalk

R.I.P :eek::eek: (Courtesy of Huffington Post) This is a dark day.

Pale Blue Dot It’s the twentieth anniversary of the famous “pale blue dot” photo – Earth as seen from Voyager 1 while on the edge of our solar system (approximately 3,762,136,324 miles from home). Sagan’s words are always worth remembering: Look again at that dot. That’s here. That’s home. That’s us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every ‘superstar,’ every ‘supreme leader,’ every saint and sinner in the history of our species lived there — on a mote of dust suspended in a sunbeam. The Earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves. The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand. It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we’ve ever known.

I feel a bit nostalgic, last year in December I went to visit my home country for the first time since coming to Montréal. I was shocked the moment I entered the "International" Airport of Damascus, I knew right away I was in a different planet. I thought that my initial shock would pass away, but no, it went from one shock to another. When I left Syria I was 7 years old, and I remember barely anything from there, while being born in Aleppo (second largest city), I lived all my life in a small town (300k) by the name of Al Qamishly on the border with Turkey and near Iraq. That city became slowly invaded by poor and restless Kurds. Everyone was telling me that Damascus was beautiful, modern, etc... well I can tell you that after seeing what Damascus was all about, I was not so thrilled to see the smaller towns and villages. Oh well, here's the tale in pictures of a spoiled Montrealer in Syria: First signs of western influence, laughed my ass off:) It is believed there's something like 4000 mosque in Damascus alone... thats alot of highrises THis is the Parlimant of the Syrian Republic... I took the pic without being noticed by the secret service dudes near me in an unmarked white car:D A pedestrian only street, you can shop all you want My host, Roudain One of the most if not most important shopping streets in Damascus The almighty Ministry of Economy and Trade... aka Mafia ...err Club not Clup Steets in eternal old Damascus: In Montreal we call that a ruelle, but its almost ten time smaller... yes people do live here Notice the black exterior walls, they were white but because of the pollution they became black.... Satelite dishes paradise....... Notice the mountain in the background and the dark area at its bottom... the dark is in reality savage construction done everywhere without any control or restraint... sad, imagine the Mont-Royal like that... Commie blocks Thats inside a restaurant on top of the mountain, sadly its empty because no one goes out in "winter" The patio... Damascus at night from the mountain Day one is over, i will post more in the coming days...

Spoilers: Montreal didn't make the cut. http://edition.cnn.com/2014/11/23/travel/worlds-best-metro-stations/index.html

(Courtesy of The Montreal Gazette)

'The city is mine' The home secretary Jacqui Smith says she feels unsafe walking London's streets after dark, and, undoubtedly, she's not alone. What a shame, says confirmed nightwalker Kate Pullinger - how could anyone not love a great city at night? Tuesday January 22, 2008 The Guardian I've always loved the city at night, even before I knew what it was like. I come from a rural suburb of a small town on the west coast of Canada and I spent my adolescence dreaming of cities in the dark. To go anywhere when I was a kid you had to drive; there was no public transport. And when you got there, wherever There was, there wasn't anything to do, except drink. I knew that when I finally made it to the city the night would sparkle and shine and pulse and that when I walked down the street, night music - Roxy Music, the Velvet Underground, Curtis Mayfield, Ultravox even - would accompany me. My first ever city was Montreal, where I spent a dissolute 18 months struggling with the concept of university. Montreal at night was always romantic but bipolar: a continuous street party during the summer - hot sweaty nights in cafes and bars that spilled on to the streets; phenomenally cold, encased in ice, in the winter. I would bundle up in multiple layers before heading out. In January and February I would wear both my coats. Montreal at night involved a lot of trudging, carrying your party shoes in a bag, stamping the snow off your boots. Falling snow at night in the city is irresistible; it squeaks and crunches beneath your boots on the pavement and comes to rest on your eyelashes and cheeks like glitter, only even more precious, more fleeting. Walking by myself through Montreal at night was to feel a kind of freedom that was completely new to me - the people are sleeping, the city is mine, all mine. Through the frozen air I could hear and see myself breathing - walking at night always makes me feel more aware of my own physicality somehow; it's the unexpected silence, the unsolicited peace - and my joy at escaping the suburbs was complete: I'm alive, I'm my own person, and I'm at home in the city. After Montreal I came to London, where a lot of women are afraid to walk alone at night. When Jacqui Smith, the home secretary, said at the weekend that she wouldn't walk at night in Hackney, or Kensington and Chelsea, she was just being honest, despite her aides' subsequent attempts at spin. In a world where we are afraid to let our children cross the street by themselves, this is hardly surprising. Our levels of fear bear little relation to the statistics - Smith was right that crime rates have fallen, too - but we are told to be afraid, so many of us are, both despite of and because of our experience. But not me. For me, growing up was all about becoming free, becoming who I wanted to be, not who other people expected me to be, and London was a part of that. It was the 1980s and London had an urgency to it, made all the more vivid by the fight to the death between that era's David and Goliath - Ken Livingstone and Margaret Thatcher. I was young and broke and needed to save my money for pints, books and movies: walking was the cheapest way to get around and most nights out ended with a long walk home. The city was huge, and foreign to me, and I needed to map it out in my mind by stalking the twisty streets with their ever changing names: Eversholt Street becomes Upper Woburn Place becomes Tavistock Square becomes Woburn Place becomes Southampton Row becomes Kingsway all inside 15 minutes. It was only through walking that this would ever make sense, and it was only when walking at night that I witnessed the secret lonely heart of the city; for a time it seemed as though every other doorway in the centre of town was temporary shelter to at least two homeless people. Alone at night I could repeat the street names and practise the English-as-in-England words that were new to me: "wanker", "loo", "pants", "tuppence", "sacked", "fanciable", "shag". I had a bicycle some of the time and there is nothing to match riding a bike by yourself through the streets of London late on a summer's night when the air is so soft it feels like velvet and your wheels spin and your hair gets messed up under your helmet but you don't care and you have to peel off the layers to stop yourself sweating. I was living in Vauxhall and working in Covent Garden at a catering job that required an early start before the tube was running, and crossing Lambeth Bridge on foot at 5am provoked in me a kind of epiphany, an ecstatic communion with the city and its only-just-buried layers of history. At night it's as though the city's history comes alive, bubbling up from where it lies dormant beneath the tarmac: when the crowds are gone, modernity slips away, and the city feels ancient and unruly. How could anyone not love London late at night, or early in the morning? How could the wide black Thames with the city reflected upon it not remind you of everything that is most desirable and glamorous in life? But sinister, too, of course, and this is part of what makes the city at night such a grown-up, adult, provocative space. There are parts of town that always have been, and always will be, creepy. In London: the backend of Whitechapel. Stockwell on a rainy night. Acton when you're a bit lost. And Hampstead, because everyone there seems to go to bed very early. In attempting to recant her comment about not walking alone at night in Hackney, Smith named the parts of the city where she does feel comfortable (for her, Peckham), and this is something that most women would recognise: we make our routes, we do what we feel comfortable doing, and it's not possible to ask anything else of us, home secretaries included. I've lived in Shepherd's Bush, west London, for 11 years now and I always feel safe on the Uxbridge Road. It's one of those wide, long streets that is full of life, full of commerce and connection, full of people I sometimes know and often recognise. The walk home from the tube feels safer than the shorter walk home from White City, with its looming football ground and empty pavements, cars zipping past too quickly. Just before Christmas I walked home by myself from a party; several people asked if I would be OK before I left. When I got outside the night was foggy and the street lamps glowed through the freezing mist; a black taxi passed with its yellow light blazing, the low purring sound of its diesel engine reassuring. I wandered along, a bit drunk, bundled up, and the residential streets were completely empty. When I got into bed I put my cold hands on my husband's warm back and woke him up, happy. I wear sensible flats and carry my party shoes in a bag still, not because of the snow, obviously, and not because I want to be able to run away if I can, but because I like to do my walking in comfort. I don't walk at night as much as I used to, but that's because of children and work and the fact that the days and nights aren't as long as they used to be. It is true that I would not take out my mobile phone on a dark street for fear that someone might think it worth snatching. It's also true that I do not listen to music through headphones when I walk by myself, but that's because I've never liked listening to music through headphones: it has always made me worry that someone is about to sneak up behind me, even when - or especially when - I'm lying on the couch in an empty house. Plenty of people don't love London, I realise that, and plenty of people probably love it even less at night; I'm well aware that it might take only one incident for me to change my mind about walking alone at night. I have been mugged in London, but that was in broad daylight in Finsbury Park on the way to the tube station; I lost volume one of a two-volume Complete Plays by Shakespeare that my mother had given me. The young man who pushed me against a brick wall to wrestle my bag away from my shoulder had a look of desperate determination; the police later found the bag and the wallet, but not the Shakespeare. I've walked these streets for 25 years now. I'm not a young woman any more - aren't the young more likely to be victimised? - and I'm fairly tall - aren't little women more preyed upon? - and on dark winter nights I walk quickly with a hat jammed down over my head. But when I look up from the pavement and see the sparkling lights, I hear the night music; could it be that I am who I always wanted to be, and the city at night belongs to me? By the light of the moon ... Nightwalking across Britain's cities Birmingham As a proud Brummie and shamelessly debauched hedonist, I, and the city I truly love, properly come alive at night. Birmingham has more canals than Venice and those moon-washed nightwalks along the most famous ones at Brindley Place and Gas Street Basin are just as magical as the Italian city's finest. By day, Birmingham's Victoria Square and Centenary Square are thick with office workers, tourists, shoppers, teens and trolls. But after dark you can peacefully appreciate the floodlit beauty of the historical council house, the Floozy in Jacuzzi fountain (well, that's what we locals call her, anyway) and Iron Man sculpture, the Birmingham Museum & Art Gallery and the Victorian listed buildings on Colmore Row - before popping into the late-night bars One Ten or the once-famous cigar lounge at the Hotel du Vin. St Paul's Cathedral and Square are intoxicating before dawn - not simply because of the drinking opportunities, but because of the path they lead towards the charm bracelet streets of the Jewellery Quarter. I've often done a wee-small-hours West Midland's Audrey Hepburn impersonation by peering into the hundreds of jewellery shops there. There are plenty of midnight munching opportunities - get a night owl down to Ladypool Road, the heart of the city's Balti Belt and where neon restaurant signs blaze above hordes of my fellow, friendly nocturnal buddies. Wersha Bharadwa Manchester Go to eat in Chinatown, and leave around midnight. Stroll back under the gloriously garish Imperial Arch. The unmistakeable smell of oil on hot wok will linger but slowly the grid of streets will wind down and sleep. Emerge into St Peter's Square and hear the hoot of the last tram passing in front of the Pantheon-like circular central library (which has been known to offer small-hours tours of its basement stacks). Move on into Albert Square and wait for the midnight bongs from the clock of the floodlit town hall, Manchester's glorious statement of civic one-upmanship. Then on to Cross Street (where the former home of the Manchester Guardian was long ago replaced by Boots) and turn left into King Street, where the fashion shops doze and dream of bigger profits. Cut through towards St Ann's church and the square after which it is named. If the circular Royal Exchange theatre had a curtain, it would have come down long ago, but memories of entrances and exits long ago live on. Then, past brash Harvey Nicks and Selfridges, to the silent route between the cathedral and the old corn exchange to Cathedral Gardens. Take a seat and gaze at Urbis, the glass ski slope that has become an icon. Behind you, at Chetham's school of music, a sleepless student may entertain you with a Bach partita. David Ward Leeds The best thing to be in late-night Leeds is a bird. Floodlighting is pretty inspired in the city centre generally, but specially good at rooftop level. Get the lift or stairs up any high building - the uni campus has a good selection - and drink it all in. At ground level, the ginnels off Briggate and Vicar Lane are a wonderful maze by moonlight; unchanged since Atkinson Grimshaw did those great Victorian paintings, except nowadays there are lots more bars and places to eat. Try the riverside, too, spooky if it gets too late but lively enough till at least midnight. Cross the canal from Water Lane and thread back through the Dark Arches where the river Aire crashes about beneath the train station. Best for quiet strolling is Kirkstall, with its subtly lit Cistercian abbey, just off the always-busy A65. You can swim at Kirkstall baths till 10pm, get a tapas at Amigos, a Leeds end-terrace that is forever Spain, and then potter across the road and spend as much of the dark as you want to in the 12th century. Headingley is great for strolling, with more shortcuts and alleys through the student-colonised redbricks round St Michael's and the Skyrack and Original Oak pubs. Martin Wainwright Bristol By day, Bristol's harbour area can feel like a place of local authority and corporate regeneration. Fair enough, that's what it is. But by night the magic of the docks returns with the youngsters and bohemians who arrive to party. Walk along the cobbles on Welsh Back alongside the Floating Harbour. Turn into Queen Square with its the wonderful Georgian architecture - much more subtly lit than their counterparts in touristy Bath, and more glorious for it. Look out for the bohos-made-good and London refugees dining in the hip dockside eateries. Cross Pero's Bridge to the Watershed media centre. The laptop brigade who make use of the wi-fi access will have gone, replaced by the art crowd with their red wine and movie talk. The Falafel King van on the Centre is a great, much cheaper alternative to the riverside restaurants. Or get away from the city centre and head to Montpelier. Again, it's a people-watching place - this is eco-trendy territory. Supper at the One Stop Thali cafe, where the locals take their own tiffins to be filled with steaming curry. Walk up to the Cadbury House pub, multiple award winner. And don't forget Clifton. Sorry to be obvious. By day, the Avon gorge can be a little grubby, especially in the winter. After dark, the suspension bridge gleams and the chasm below yawns. Steven Morris Edinburgh Edinburgh's more intimate scale makes it a great city to explore on foot, as long as you don't mind the odd uphill jaunt, and there's no denying the city's beauty at night. There are obvious highlights: a walk along Princes Street gives a great view towards Edinburgh Castle, which is illuminated at night, as are most of the noteworthy monuments, while the Mound has the National Gallery of Scotland and the Royal Scottish Academy Building at its foot - with their regal columns, these buildings look pretty spectacular when floodlit - and the impressive headquarters of HBOS, which includes the Museum on the Mound, at its top. Once you're up there, there are guided walks through the Old Town - the night-time ghost tour routes focus around the Royal Mile - while there are less obvious highlights if you head north into the New Town, which is mainly residential and has some of the finest classical Georgian architecture in the country. There are beautiful terraces to explore, such as Royal Circus or Moray Place, and you can admire the architecture while catching glimpses inside where people haven't closed over their tall Georgian shutters - a bit nosy, but who can resist? Wrap it up with a warming drink in Kay's Bar, a cosy pub in an early 19th-century building on Jamaica Street West, tucked in the New Town's heart. Fiona Reid http://www.guardian.co.uk/g2/story/0,,2244671,00.html

En visitant imdb aujourd'hui je me suis rendu compte que j'ai pas vu beaucoup de films cette année... et je compte me reprendre durant les fêtes. Quels sont favoris de 2008? En ordre pour moi: There Will Be Blood The Dark Knight Michael Clayton