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https://www.citylab.com/design/2018/11/epidemic-of-empty-churches-adaptive-reuse/576619/?utm_medium=social&utm_content=edit-promo&utm_campaign=citylab&utm_source=facebook&utm_term=2018-11-26T16%3A02%3A29&fbclid=IwAR1w3Q8SMw5B2PraPABJmYjARlb8vMaAUTyiRnLdZwYs-Q8vxvczs9oDbZU A man walks inside an empty church in the Ninth Ward area in New Orleans. Carlos Barria/Reuters America’s Epidemic of Empty Churches JONATHAN MERRITT 11:02 AM ET Between 6,000 and 10,000 churches die in the U.S. every year, and many are sitting on prime real estate. Three blocks from my Brooklyn apartment, a large brick structure stretches toward heaven. Tourists recognize it as a church—the building’s bell tower and stained-glass windows give it away—but worshippers haven’t gathered here in years. The 19th-century building was once known as St. Vincent De Paul Church and housed a vibrant congregation for more than a century. But attendance dwindled and coffers ran dry by the early 2000s. Rain leaked through holes left by missing shingles, a tree sprouted in the bell tower, and the Brooklyn diocese decided to sell the building to developers. Today, the Spire Lofts boasts 40 luxury apartments with one-bedroom units renting for as much as $4,812 per month. It takes serious cash to make God’s house your own, apparently. Many of our nation’s churches can no longer afford to maintain their structures—between 6,000 and 10,000 churches die each year in America—and that number will likely grow. Though more than 70 percent of our citizens still claim to be Christian, congregational participation is less central to many American’s faith than it once was. Most denominations are declining as a share of the overall population, and donations to congregations have been falling for decades. Meanwhile, religiously unaffiliated Americans, nicknamed the “nones,” are growing as a share of the U.S. population. Any minister can tell you that the two best predictors of a congregation’s survival are “budgets and butts,” and American churches are struggling by both metrics. As donations and attendance decrease, the cost of maintaining large physical structures that are only in use a few hours a week by a handful of worshippers becomes prohibitive. None of these trends show signs of slowing, so the United States’s struggling congregations face a choice: start packing or find a creative way to stay afloat. When a hallowed building is resurrected as something else, those who feel a connection to that symbol may experience a sense of loss. Closure and adaptive reuse often seems like the simplest and most responsible path. Many houses of worship sit on prime real estate, often in the center of towns or cities where inventory is low. Selling the property to the highest bidder is a quick and effective way to cut losses and settle debts. But repurposing a sacred space for secular use has a number of drawbacks. There are zoning issues, price negotiations, and sometimes fierce pushback from the surrounding community and the parish’s former members. A church building is more than just walls and windows; it is also a sacred vessel that stores generations of religious memories. Even for those who do not regularly practice a religion, sacred images and structures operate as powerful community symbols. When a hallowed building is resurrected as something else, those who feel a connection to that symbol may experience a sense of loss or even righteous anger. After St. Augustine Church in South Boston was abandoned, developer Bruce Daniel encountered a number of unforeseen difficulties. Demolishing the 140-year-old building and starting from scratch was the most economical option, but sentimental neighbors’ protests forced Daniel to retrofit the existing building into condos. Many local residents remain unsatisfied with the compromise. “Anybody who goes into a neighborhood and buys a church, without having some knowledge and sensitivity, they’re asking for trouble,” Daniel told The Boston Globe. St. John the Baptist Church in the Black Rock district of Buffalo, N.Y., awaits a new tenant in 2007. (Don Heupel/AP) Converting old churches into residential spaces, like St. Augustine and St. Vincent De Paul, is becoming increasingly popular. Churches’ architectural flourishes—open floor-plans, exposed brick, vaulted ceilings, and arched windows—often draw buyers of means who are looking for a residential alternative to ubiquitous cookie-cutter developments. While this type of sacred-to-secular conversion may be a tough pill for former members to swallow, many are even less satisfied with the alternatives. A large number of abandoned churches have become wineries or breweries or bars. Others have been converted into hotels, bed and breakfasts, and Airbnbs. A few have been transformed into entertainment venues, such as an indoor playground for children, a laser-tag arena, or a skate park. When St. Francis de Sales Church in Troy, New York closed in 2009, it was converted into a fraternity house for the Phi Sigma Kappa chapter at Rensselaer Polytechnic Institute. A communal symbol that once served as a beacon of hope and welcome now seems like little more than an emblem of American youthful superficiality. Imagine the emotional impact of driving past the place of your mother’s baptism only to see frat boys stumbling down the front steps. Calling it quits isn’t the only option for dwindling congregations in possession of expansive, expensive buildings. Some are moving upstream of the crisis, opting to repurpose their buildings before they go under. Larry Duggins left a successful career in investment banking a decade ago to attend seminary at Southern Methodist University. There he met a professor of evangelism named Elaine Heath with whom he brainstormed ways to help dying churches who maintain a will to live. The pair eventually found the Missional Wisdom Foundation, a 501c(3) that functions as a kind of think tank for “alternative forms of Christian community that makes sense for traditional churches that may be declining.” “Years ago, the neighborhood church was the place many in America got together and, along with local schools, was where they got to know their neighbors,” Duggins told me. “But this model is no longer relevant for many people, so churches have to think creatively about how to help people encounter others and God in their everyday lives.” Recommended Low-Income Communities Are Struggling to Support Churches PATTON DODD JAN 8, 2018 Vacancy: America’s Other Housing Crisis RICHARD FLORIDA JUL 27, 2018 In Massachusetts, a Mayor and a Church Spar Over Sanctuary TERESA MATHEW APR 4, 2018 In order to test their idea, Duggins and Heath approached the pastor of White Rock United Methodist in Dallas about collaborating. Half a century ago, it was a massive congregation with robust weekly programming, a strong reputation in the community, and a 60,000-square-foot building. But the neighborhood’s demographics shifted in recent years and church membership waned. Its combination of sprawling space and shrinking attendance made White Rock the perfect guinea pig for Duggins and Heath’s experiments. Missional Wisdom moved into the bottom 15,000 square feet of White Rock’s building and got to work. It converted the fellowship hall into a coworking space and transformed Sunday School rooms into a workshop for local artisans, including a florist and a stained-glass-window artist. It formed an economic empowerment center where the group teaches a local population of African refugees language and business skills. And it finished out the space with a yoga studio and a community dance studio. Today, the church building is bustling most days and the congregation is both covering expenses and generating revenue from its profit-sharing agreement with Missional Wisdom. Next, the Missional Wisdom team partnered with Bethesda United Methodist Church in Asheville, North Carolina—a congregation with challenges similar to White Rock’s. Together, they created a community center called Haw Creek Commons. In addition to coworking space, they retrofitted the building with a textile and woodworking shop, meeting rooms that are used by local business and AA groups, a retreat space that can sleep up to nine, and a commercial kitchen in the basement for local bakers and chefs. Outside, Missional Wisdom constructed a community garden, food forest, beehives for the Haw Creek Bee Club, a greenhouse, and a playground for the children who attend the school next door. Duggins says that the goal of these two experiments was simply to create opportunities and space for the community to gather and connect with each other. But as with White Rock, Haw Creek Commons has had residual positive effects on its host congregation. “We wanted to transform the church into a place that would draw people who might not otherwise come, and in Asheville, we’ve seen it break down stereotypes of what the church is,” says Duggins. “At Bethesda, there were less than 10 people in the church on a given Sunday, but now there are more than 50.” Multipurpose spaces lower the barriers to entry. When someone using a co-working space experiences a personal crisis, they have a comfortable place to turn. This relatively small organization can only do so much to turn the tide of congregational death in America. Missional Wisdom has shifted its focus from one-off projects to publishing books, conducting seminars, and consulting with struggling churches. They hope these resources will be helpful to America’s flailing congregations who are forced to choose between evacuation and innovation. The latter may be the harder road to travel, but many faithful will find it preferable to watching their childhood church converted into luxury lofts. This post originally appeared on The Atlantic. About the Author Jonathan Merritt @JONATHANMERRITT FEED Jonathan Merritt is a contributing writer for The Atlantic. He is the author of Learning to Speak God from Scratch: Why Sacred Words are Vanishing – And How We Can Revive Them.

28/06/2016 Mise à jour : 28 juin 2016 | 17:39 http://journalmetro.com/local/hochelaga-maisonneuve/actualites/986540/des-artistes-pour-transformer-sainte-catherine-est/ Des artistes pour transformer Sainte-Catherine Est Par Catherine Paquette TC Media Collaboration spéciale Le projet Quartier en art embellit déjà quelques vitrines de la rue Sainte-Catherine Est. La rue Sainte-Catherine Est connaîtra bientôt un vent de renouveau avec l’arrivée d’artistes et artisans dans ses locaux vacants, promet la société de développement commercial (SDC) Hochelaga-Maisonneuve. L’organisme vient de se voir accorder un financement de 90 000$ pour le projet «Sainte-Catherine, rue des artistes et des artisans», sélectionné dans le cadre du programme PRAM-Est de la Ville de Montréal. Un total de 157 631 $ partagé entre la ville-centre, la SDC et d’autres partenaires sera investi dans la réalisation de projets qui inciteront des artistes à y installer leur atelier ou leur boutique, dans le secteur de la SDC allant de l’avenue Bourbonnière à la rue Viau. L’embauche d’une personne ressource permettra de faire le lien entre les propriétaires et les artistes, et des concours d’entreprenariat encourageront certains à s’y lancer en affaires. «Il y a déjà des ateliers boutiques sur la rue Sainte-Catherine, mais on veut renforcir cette identité. Il commence déjà à avoir une clientèle pour ces produits-là», explique le directeur de la SDC Jimmy Vigneux. Le projet surfera en effet sur la vague de nouveaux arrivants dans le secteur : les Ateliers Créatifs, dont les locaux ouvriront cet été, amèneront une centaine de créateurs dans les locaux du 3890-3910, rue Sainte-Catherine. La présence d’ateliers-boutiques comme Electrik kidz, Bigarade et Gabardine et de la galerie Gham et Dafe marquent également la volonté des artistes de s’installer dans le secteur. Le projet répond au besoin d’améliorer «l’image» de la rue Sainte-Catherine. Le montant octroyé par la Ville s’ajoute aux nombreux efforts de relance de l’artère, dont le tronçon entre Pie-IX et la rue Moreau fait l’objet d’une démarche de revitalisation urbaine intégrée (RUI) de la Table de quartier Hochelaga-Maisonneuve depuis 2012. Le projet s’arrimera par ailleurs avec les efforts de la table, qui vise le recrutement d’artisans depuis plusieurs mois, après des consultations menées auprès de la population du secteur. Secteur défavorisé Parsemée de graffitis et de locaux vacants, au nombre de 46, la rue Sainte-Catherine a l’avantage d’être beaucoup moins coûteuse pour les locataires. La moyenne des loyers s’élève à 10$ le pied carré, soir la moitié moins des montants exigés sur la rue Ontario, fait savoir le directeur. «C’est un type de commerce viable sur Sainte-Catherine, puisque 100% de leur chiffre d’affaires ne se fait pas nécessairement sur la rue. Comme l’achalandage n’y est pas si élevé que sur Ontario, on considère que c’est un bon filon», affirme-t-il. Le directeur souhaite offrir à des artistes d’occuper des locaux vacants gratuitement de manière temporaire, afin d’attirer de possibles locataires. Le projet vise aussi à améliorer l’aspect des vitrines en travaillant en collaboration avec Un quartier en art, projet qui vise à afficher des œuvres d’artistes locaux dans les locaux vacants. «Il faut établir que c’est rue artistique, on veut que les artistes puissent s’exprimer sur la rue», ajoute savoir le directeur.

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