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  1. Jardins Windsor Architectes: DCYSM Fin de la construction:2007 Utilisation: Résidentiel Emplacement: Centre-ville, Montréal ? mètres - 12/21/21 étages Descriptions: - Complexe de trois tours et de 650 condominums. - Les tours seront reliées par le plus grand jardin privé du centre-ville, qui sera aménagé sur un stationnement à étage. - La fountaine ronde, au centre du jardin, deviendra une patinoire l'hiver. - Le projet est la continuité nord du complexe Terrasses Windsor, du même promoteur, True North Properties LTD. - True North Properties LTD possède aussi le terrain vacant à l'est des Jardins Windsor. - Les Terrasses et Jardins Windsor, ainsi que le terrain voisin sont sur le terrain où le nouveau stade des Expos était proposé au début des années 2000. Residential condos under construction by Malek Racho, on Flickr IMG_5290 by Malek Racho, on Flickr
  2. Très très belle rénovation du Palais de Justice de Montmagny!! Beautiful restoration project for the House of Justice of Montmagny, a small city of about 12 000 people, situated 45min north east of Quebec City. Architects: ccm2 of Quebec City Photographer: Stéphane Groleau http://www.architectureduquebec.com/blogue/palais-de-justice-de-montmagny?rq=montmagny
  3. An airliners.net thread says this article in a Portuguese: TAP lanca nova rota para o Canada ja em 2017 ..claims Montreal will be their next North American destination. I don't read Portuguese but let's hope for this one to be true. Here's the relevant quote from the article* "Numa primeira fase é antecipado pelo setor que a transportadora aérea avance para Montreal, alargando a operação, numa etapa posterior, também a Toronto." "In the first phase is anticipated by the industry that the airline go to Montreal, extending the operation at a later stage, also to Toronto." "Dans la première phase est prévue par l'industrie que la compagnie aérienne aller à Montréal, étendant l'opération à un stade ultérieur, également à Toronto."
  4. Air Algerie Expands Montreal Service in S16 Posted at 0300GMT 19APR16 Air Algerie during summer peak season plans to expand Algiers – Montreal operation, which sees the addition of 8th weekly service. The additional flight operates on Thursdays, from 23JUN16 to 15SEP16, with Airbus A330-200 aircraft. AH2702 ALG0645 – 1045YUL 330 4 AH2700 ALG1240 – 1640YUL 330 D AH2703 YUL1245 – 0135+1ALG 330 4 AH2701 YUL1840 – 0730+1ALG 330 D
  5. Air Canada Adds Non-Stop Montreal-Algiers and Montreal-Marseille Flights Starting in Summer 2017 - Sep 28, 2016
  6. Celine Cooper: Before Montreal can thrive, it needs to educate itself Celine CooperCELINE COOPER, SPECIAL TO MONTREAL GAZETTE More from Celine Cooper, Special to Montreal Gazette Published on: July 10, 2016 | Last Updated: July 10, 2016 2:00 PM EDT The city of Montreal is reflected in the St. Lawrence River. Montreal is a city with so much potential. If only we could unlock it. PAUL CHIASSON / THE CANADIAN PRESS By now the story is familiar. It’s called the Great Montreal Paradox. It goes something like this: Montreal has everything it needs to become one of North America’s most dynamic and successful cities. Yet, we continue to lag behind other North American cities on a vast range of economic indicators including job creation, employment rates, GDP growth and population growth. And here we go again. Last month, the Organization for Economic Cooperation and Development (OECD) released a socio-economic study called Montréal: Métropole de Talent. The study looks at Montreal’s relative performance within a constellation of 18 city members of the OECD (Manchester, Boston, Dublin, Stockholm and Toronto, for example). It concludes that Montreal has the necessary DNA to thrive as a major hub for innovation and economic development at both national and international levels. It lauds our enviable quality of life. We are bursting at the seams with potential. Yet, the findings echo much of what we’ve read in other studies focused on Montreal, including the 2014 BMO and Boston Consulting Group study Building a New Momentum in Montreal and the 2014 Institut du Québec research group study. Despite our strategic advantages, Montreal seems chronically incapable of translating our potential into performance. The unemployment rate in Montreal is higher than other North American cities, and immigrants have higher levels of unemployment here than in other parts of Canada. We are hampered by a low birthrate, population growth and immigrant retention, and high interprovincial outflow. Study after study has indicated that one of Montreal’s biggest challenges is attracting and retaining people. This isn’t just a Montreal problem, but a Quebec one. A recent report by the Fraser Institute showed that Quebec has the highest cumulative out-migration of any province in Canada, having been drained of more than half a million of our citizens to other provinces between 1971 and 2015. The question, as always, is why? Here’s the message I get from reading between the lines of the OECD report: Maybe — just maybe — Montreal has been a little too accepting of mediocrity. The report suggests in relation to our North American counterparts, Montreal’s economy is marked by low levels of competence and low levels of productivity. We have too many sectors with poor-quality jobs that demand few qualifications. The OECD suggests that to create opportunities and prospects for young people and fully capitalize on the potential of immigration, Montreal needs to break a damaging cycle of low qualifications and an over-abundance of low-quality jobs. Let’s sum this up: Montreal needs people. But people need a reason to stay in Montreal. Cities around the globe are competing for the world’s best and brightest. Highly qualified people are looking for jobs where they can put their skills, talent and ambition to use. They don’t want to run the risk of finding themselves in jobs that don’t offer much in terms of pay, advancement and professional growth. Or, worse, unemployed. Among the many recommendations, the OECD report suggests that solving this problem in Montreal requires strategic partnerships among all sectors of our economy. Universities, they argue, need to be directly implicated in the development of the local economy. On this point, I couldn’t agree more. With access to six universities and 12 CÉGEPs, Montreal has the highest proportion of post-secondary students of all major cities in North America. In 2013, it was ranked the best city in the world in terms of overall return on investment for foreign undergraduate students by an Economist Intelligence Unit survey. And yet the proportion of the population with a bachelor’s or graduate degree is among the lowest in Canada — Montreal is at 29.6 percent, lagging behind Toronto and Vancouver at 36.7 and 34.1 percent respectively. As far as I’m concerned, our university ecosystem is our best bet for getting beyond the Great Montreal Paradox. celine.cooper@gmail.com Twitter.com/CooperCeline Sent from my SM-T330NU using Tapatalk
  7. http://www.townandcountrymag.com/leisure/dining/a5818/montreal-restaurant-scene/ Asked to name the best restaurant city in America—meaning the United States—I offered the only reasonable answer: Montreal, a city with the culture, the cooks, the restaurants, the provisions, and the hospitality. (Also of significance is Canada's nicely diminished dollar, which makes dining a deal.) Such a welcome package was neatly summed up by a Canadian pal, Mike Boone, who worked with me at the Montreal Star in the 1970s. He said, "We're not just nice, we're cheap." Of course, Montreal isn't exactly in the United States, should you be hung up on such details as international borders. (Obviously, I am not.) The city is in the province of Quebec, a part of Canada as long as there has been a Canada. My belief that Montreal is really a lost colony of the United States is strengthened by the indisputable fact that our Continental Army captured and briefly held it in 1775. One need only glance at a map from those days, when the province of Quebec was nestled just north of the 13 colonies, to admire the logic. Allow me to add this: The citizens of Quebec practically exhausted themselves trying to secede from Canada in the latter half of the 20th century, only to fail when a 1995 referendum lost by a few thousand votes. To me Montreal is spiritually a part of the U.S., a kind of New York City in miniature, although it's even more like an independent city-state. OLD MONTREAL AT NIGHT. DENNIS TANGNEY JR./GETTY IMAGES The restaurants of Montreal are the attraction. Their evolution, which started in this century, has been swift. They are modest in size and technically proficient, and they provide a sense of casual fine dining that is embraced more wholeheartedly here than anywhere in the U.S. The dining culture is descended from those of both France and England— thankfully, more from France—leaving Montreal a sort of culinary orphan, free to seek its own path. New York, which was considered the best American dining city in most eras, but no longer, has become ground zero for casual dining. (A restaurant critic for the New York Times recently announced his top dish of the year: a sticky bun.) Montreal has developed an engaging dining personality at the same time that New York has been losing the one it had. Famed Montreal restaurateur David McMillan (Joe Beef, Le Vin Papillon) says, "I'll tell you why Montreal is the best restaurant city, and it's not about the skill of our cooking. We have the most advanced dining public in North America. I serve lamb liver cooked rare to 17-year-old girls. I sell tons of kidneys and sweetbreads. Manhattan is one giant steakhouse. Everybody there wants steak, or red tuna. I don't want to know how much red tuna is sold every day." Chef Normand Laprise, the grand old man of Montreal chefs (even if he is only 54), adds, "I visit pastry shops in the States, and I know Americans are not open- minded customers. It's hard to sell any- thing other than cupcakes and macarons." Montreal has had multiple culinary revolutions in the past 50 years. When I worked for the Star the restaurants primarily served French cuisine, albeit not quite what you'd find in Larousse Gastronomique. The Beaver Club at the Queen Elizabeth Hotel featured such fantastical dishes as Le Coeur du Charolais Soufflé aux Splendeurs du Périgord. The top chefs, who came to Canada from France following World War II or stayed in Montreal after working at Expo 67, were a little too fixated on flambéing and melting cheese. After the financial debacle of the 1976 Olympics, which almost bankrupted Quebec, the restaurants declined precipitously. The only noteworthy and enduring establishment was Toqué!, operated by Laprise. In 2001 came Au Pied du Cochon, which was informal and inventive. Chef Martin Picard embraced local products and reinvented old, somewhat primitive dishes such as jellied pig's head and poutine, an ungodly assemblage of french fries, cheese curds, and gravy that arose in rural Quebec in the 1950s. Picard created a regional cuisine and, more important, prized local products as few before him had. ADVERTISEMENT - CONTINUE READING BELOW Joe Beef, the next great restaurant, did away with tablecloths and menus (using blackboards instead). That was followed by Les 400 Coups (in the French tradition) and Lawrence (quite Anglo), establishments embracing either side of the local language divide. They were among the places that made Montreal the best for restaurants in this hemisphere, one where fine dining has been transformed into a modern ideal. No other city does it as well. DAY 1: FARM FRESH MEETS CRAZY GENIUS Daniel Boulud, who has a restaurant in the Ritz-Carlton Montreal, tells me that a visitor can grasp the essence of the dining culture before arriving, simply by looking out an airplane window. "Twenty minutes before you land, you pass over the farms, the greenhouses. This isn't California. Here you have really small farms next to each other, not industrialized." So as I fly in I peer out the window. First I see mountaintops and lakes, then silos and barns. Boulud is right. After we land, my traveling companion and I head to Les 400 Coups for lunch. The room is primarily in shades of charcoal and black, understated. The clientele, like most people in this city, dresses stylishly. The food is auspicious. Our squash soup is not like other squash soups. No bulk. No boredom. It's speckled with drops of olive oil, as though they had floated down from a cloud. The duck croquette is precisely as duck should be: rich, savory, skinless, and easy to eat. If there were such a thing as a wagyu duck burger, this would be it. AN ARRAY OF DISHES FROM LE MOUSSO, WHICH FEATURES A NEW TASTING MENU EVERY DAY. @ONDEJEUNE Les 400 Coups also has a pastry chef, a category of professional disappearing from American restaurants. I don't mean to overdo the compliments, but the desserts are notable as well: delicious and artistic, a little Georges Braque, a little forest tableau; the lemon cream dessert includes sea buckthorn. I would not be surprised if the pastry chef forages when off duty. I feared that our choice for dinner, Le Mousso, an all-tasting-menu restaurant that had just opened, would be like all the tasting-menu joints in America, the chef desperately seeking to express himself. Such food is occasionally brilliant. Too often it's awful. My friend was intrigued, certain it would be different here. She was correct. The restaurant is very Brooklyn, with an array of seating options at tables and counters, plus hanging lightbulbs and a chef, Antonin Mousseau-Rivard, who sports a short beard, a knit cap, tattooed arms, and Adidas shower sandals. He is self-taught, mostly via Instagram, and he says, "I didn't even work at a good restaurant in my life." We are handed a printed menu. It looks weird, but tasting menus always do. We eat seven dishes, all marrying ingredients never previously combined. But the wagyu beef from Quebec accented with slightly salty sturgeon caviar is masterful, as is the cool arctic char nestled in what appears to be a paint box of colors and flavors. Even the desserts are arresting, and desserts prepared by savory chefs are rarely that. The first is labeled sang, which means blood. I'm frightened, as I'm sure the chef means me to be, but it's blood sausage ice cream as Häagen-Dazs might make it, plus Quebec cheddar crumble in an apple-vinegar reduction. (Yes, Quebec has a flourishing cheese industry.) I suggest to Mousseau-Rivard that he might be a crazy genius, and he replies, "I like the word crazy more than genius." DAY 2: LOCAL HEROES A few blocks from the Parc du Mont- Royal, a revered green space designed by Frederick Law Olmsted, sits Beauty's, a luncheonette owned by Hymie Sckolnick, 95. He is always there. Hymie bought the shop in 1942 for $500. He is nice enough not to brag about his investment prowess. BREAKFAST AT BEAUTY'S, A LOCAL FIXTURE SINCE 1942. MICKAEL BANDASSAK Breakfast at Beauty's followed by a park stroll serves two vital purposes: The park provides visitors with an aware- ness of the physical glory of the city, as it's built on the slopes of the multitier hill Mount Royal, and Beauty's remains a notable example of Montreal's enduring (and somewhat inexplicable) fascination with Jewish food, most famously its bagels—smaller, sweeter, and superior to New York's—and its pastrami-like smoked meat. ADVERTISEMENT - CONTINUE READING BELOW At Beauty's, bagels from the St.-Viateur bagel shop (officially La Maison du Bagel) accompany the "famous mishmash," a kind of omelet that would be scorned by French chefs, inasmuch as it is not golden yellow or elegantly contoured. It consists of eggs, scrambled and browned a bit, the way my grandmother made hers, plus hot dog, salami, green pepper, and fried onion. You will sigh. You will burp. Unmatched in Montreal (or anywhere) is Le Vin Papillon, owned by David McMillan. The food is casual, mostly vegetables. The place takes no reservations and for a long time was nearly impossible to get into, although recently it doubled in size and the struggle has subsided. I recommend arriving at 3 p.m., when it opens, although take care not to wait by the wrong door, the permanently closed one, or you'll feel as if you've been locked out. We have celery root ribbons bathed in bagna cauda, a Piedmontese sauce made with garlic and anchovies; charcoal-roasted white turnips with housemade pomegranate molasses; and the best dish of all: a curiously savory hummus of hubbard squash with homemade focaccia. LE VIN PAPILLON'S CHALKBOARD MENU. RANDALL BRODEUR We don't leave until 6 and decide to skip a formal dinner, choosing instead a late smoked meat sandwich at Schwartz's, which seems to be open day and night. Schwartz's never changes, although the ownership has. The original proprietor, a Jewish immigrant from Romania, is long gone, and Schwartz's is now the property of a consortium that includes Céline Dion. I order my smoked meat fatty—most customers request medium or lean—and the waiter says, "Good for you." Maybe the place has changed: That's a long speech for a Schwartz's waiter. The rye bread continues to be tasteless, the smoked meat is still really good, the cole slaw reminds me of North Carolina, and the fries aren't as great as they used to be, but they're not bad. DAY 3: OLD FRENCH, NEW BRITISH Maison Boulud is admirable for who owns it (Daniel Boulud), for where it resides (in the historic Ritz-Carlton), and for its lovely location adjoining a small garden and duck pond (request a table overlooking both). The restaurant is among the last of its kind, a French one (well, mostly French) in a city where French cuisine is vanishing. (This is happening everywhere in North America; it just seems more baffling in Quebec, where more than half the population is French-speaking.) I order a lunch that spins me back in time: housemade pâté of startling freshness and eminent richness, and confit of guinea fowl leg in a miraculously silken foie gras sauce. The kitchen sends out lovely ravioli stuffed with sheep's milk cheese. It doesn't taste French, and shouldn't—the executive chef, Riccardo Bertolino, is from Bologna. THE MAISON BOULUD KITCHEN. Dinner that evening is entirely anglophile, at Maison Publique, an appealing tavern that offers only Canadian wines (and somehow pulls it off) and plates of mostly meaty foods that sound peculiar, as British cuisine almost always does. I never miss a chance to eat here. We order andouille sausage (reddish, dreamy, and fiery) spread on toast, and tender lonza, or salumi, made from free-range piglets raised for the restaurant in the Eastern Townships of Quebec. The main room has an old wooden floor, dark paneling, and mounted deer heads with soccer scarves wrapped around their necks. The menu is a well-lit corkboard to which is pinned a list of food and drink. Folks gather around it to discuss the dinner choices, a sign of changing times. When I lived in Montreal in the 1970s, during the separatist movement, concerned young people gathered in bars and pubs to sing protest songs demanding freedom from Canada. Now they chat about the origins of local meats and vegetables. DAY 4: A POUTINE CHALLENGE We have made no lunch plans, but when desperate I always call the nearest hot dog joint. On Saint Lawrence Boulevard is the Montreal Pool Room, which opened in 1912 in a different location not far from the current one. (Other changes have occurred: no more pool tables.) In case you have trouble finding it, directly across the street is the garish marquee of Café Cléopatre, which features stripteaseuses and danseuses à gogo. ADVERTISEMENT - CONTINUE READING BELOW My friend calls the Pool Room and asks, "Are you open? Are you serving food?" A sweetheart of a counterman replies, "Yes, madame. Hot dog, hamburger, cheeseburger. You come, you eat." She has her first Montreal hot dog. They're famous, even if they're bland compared with New York's. Here they're served correctly: steamed and topped with mustard, relish, and mild chopped onions. She also insists on poutine. I await her disappointment, but she loves it, saying, "It filled my every poutine expectation." If you're from New Jersey and enjoy disco fries, you might love poutine too. Hot dogs followed by poutine can be filling, which makes Hôtel Herman—it's not a hotel and there is no Herman—an excellent option for dinner. It offers small plates that are unusually small. The food is unexpectedly elegant, given the rough-hewn decor (wide plank floors that look as old as Montreal itself, tin ceiling, bare lightbulbs). Little logs of housemade foie gras are brilliantly composed, topped with crumbs and cranberries. The chef, Marc-Alexandre Mercier, bakes his own bread, dark and earthy and easily worth the $2 surcharge. The sweetbreads come with mashed potatoes from a variety called Ozette, grown in Quebec. They are mesmerizing, and it's not just the added buttermilk and cream. Mercier tells me his way with vegetables is a result of childhood trauma: His mother made him eat a bowl of rutabaga so awful it made him cry. DAY 5: GENTRIFICATION FLAMBEE Lawrence, among the most Anglo of the Anglo establishments, is blessed with big windows that allow in an abundance of light, a major reason I love to have lunch there. The staff is sweet, the wine list just right, the crockery seemingly from a church basement sale, and the menu filled with dishes you might never have eaten before. Fried endive topped with snowy crab, an unlikely concoction, is crunchy and juicy, impeccably fresh. The desserts are simple but superlative, the "burnt" chocolate pudding much like an all chocolate crème brûlée, and the warm ginger cake is topped with a crème anglaise that I'm tempted to drink. In the evening we set out to see two new restaurants with unusual appeal. Both feature wood-burning ovens, which are unusual in Montreal, and both are in newly gentrified sections of the city. A TRAY OF OYSTERS AT HOOGAN & BEAUFORT. ALISON SLATTERY PHOTOGRAPHY Hoogan & Beaufort is in a former industrial park in Rosemont where the Canadian Pacific Railway once built locomotives. An excellent consequence: It has stunningly high ceilings. William Saulnier, one of the partners, says that in the restaurant's opening days many of the calls they received started out, "Where are you?" Foxy is in a neighborhood once largely populated by Irish immigrants. Both of these spots are following an established American trend, moving away from midtown to more remote locations where rents are cheaper and space more generous. We weren't able to eat at Hoogan & Beaufort, only peek in, because we were dining with Lesley Chesterman, a friend who is the restaurant critic for the Montreal Gazette, and she was reviewing Foxy. She seemed to like my theory that Montreal belonged to the U.S. She said, "Montreal has never felt less Canadian to me." I leave the analysis of Foxy to Chesterman, enthusiastic about everything except the two dishes prepared in the wood- burning oven. About my favorite she wrote, "I loved the flatbread we ordered. Covered in melted raclette cheese, red onions, potatoes, and house-smoked ham, it was reminiscent of an Alsatian tarte flambée. We scarfed it back in minutes, the only problem being that one of the pieces of ham popped off my slice and, as I discovered the next morning, fell into my purse under the table." DAY 6: END ON A SWEET NOTE For me, departure days begin with a trip to the St.-Viateur bagel shop, where I buy a few dozen to take home. The price these days is 80 cents each. Hymie Sckolnick told me they used to cost two cents. When I complain to the counterman, he laughs and tosses in a few extra. Hymie's is a good name to drop in Montreal. PATRICE DEMERS WORKS HIS MAGIC AT PATRICE PÂTISSIER. MARC KANDALAFT Our getaway meal is lunch at Toqué!, which is run by Laprise, that most essential of Montreal chefs. His new establishment is a member of Relais & Châteaux, and his kitchen is a marvel, overflowing with cooks. The food isn't what I think of as new Montreal cuisine—it's too precise and luxurious—but it's up there with the best haute cuisine in North America. An appetizer of arctic char is creamy and silky, tasting of smoke and lemon. My Montreal Star pal Boone, joining us, calls it "the cotton candy of fish." Chicken, prepared sous-vide, is so moist there's beading on the breast. My friend has what the waitress calls "a perfect egg," cooked slowly, with a sauce made from a long-simmering duck reduction. Dessert is so ethereal—mostly honey, jelly, and cream—that on the way to the airport we stop at Patrice Pâtissier so I can pick up a few stuffed-on-the-spot chocolate-banana cream puffs. Patrice Demers, the owner of this new shop on Notre Dame West, was the first pastry chef at Les 400 Coups and thus is a hero of mine. But then, so many Montreal chefs are. Alan Richman is a 16-time winner of the James Beard Award for food writing.
  8. Canada ranks 2nd among 10 countries for cost competitiveness, says KPMG THE CANADIAN PRESS 03.29.2016 TORONTO - Accounting giant KPMG says Canada has proven to be second most competitive market in a comparison test of 10 leading industrial countries. In its report, KPMG says Canada lags only behind Mexico when it comes to how little businesses have to pay for labour, facilities, transportation and taxes. The report, which compared the competitiveness of a number of western countries along with Australia and Japan, found that a high U.S. dollar has helped Canada stay affordable despite rising office real estate costs and lower federal tax credits. When it comes to corporate income taxes, it found that Canada, the U.K. and the Netherlands had the lowest rates overall due to tax incentives to support high-tech and research and development. KPMG also looked at the competitiveness of more than 100 cities worldwide. It ranked Fredericton, N.B., as the most cost-effective city in Canada due to low labour costs and continued low costs for property leases. Montreal topped the list among 34 major cities in North America, followed by Toronto and Vancouver. The three Canadian cities beat out all U.S. cities. Although there have been concerns over the impact of a weakening loonie on the economy, having a low Canadian dollar has actually been "a driver in improving Canada's competitiveness and overall cost advantage," KPMG said. As a result, that has made it more attractive for businesses to set up shop north of the border than in the U.S., it said. http://www.montrealgazette.com/business/canada+ranks+among+countries+cost+competitiveness+says+kpmg/11817781/story.html
  9. http://www.cnn.com/2016/03/10/travel/justin-trudeau-canada-having-a-moment-feat/ It's been years since the U.S. has looked so lovingly upon its neighbor to the north, Canada. Sure, there were Expo 67 and the 1976 Olympics, when Montreal was the center of the world. Sure, Bob and Doug McKenzie invited us to the "Great White North" in 1980 and had a big hit with their song "Take Off." But recently, the country some wags have called "America's Hat" has been more in the news than ever, thanks to its handsome prime minister and our less-than-handsome election campaign. Described by Vogue as "dashing" and "strikingly young and wavy-haired," Prime Minister Justin Trudeau is reviving the Trudeaumania inspired by his father's entry into politics. Frolicking with pandas and a knack for selfies have only deepened the younger Trudeau's appeal. As the new prime minister launches into his country's first official visit and state dinner in 19 years, here are some reasons why Canada is always in season -- even when it's underneath several feet of snow: A warm welcome Canadian radio DJ Rob Calabrese created the "Cape Breton If Trump Wins" site in late February as a joke. But a few weeks and more than 800,000 clicks later, he says that thousands of his U.S. neighbors are seriously considering a move to Canada if Donald Trump becomes president. Serene Canadian island courts Trump refugees It's actually much harder to immigrate to Canada than simply fleeing north in your packed Prius, but Trudeau has put out the welcome mat. "Cape Breton is lovely all times of the year," Trudeau said. "And if people do want to make choices that perhaps suit their lifestyles better, Canada is always welcoming." Creative exports While Canada has long provided Hollywood with a diverse collection of talent, there's a wide array to admire right now. Rachel McAdams was recently nominated for an Academy Award for her role in best-picture winner "Spotlight," Ryan Reynolds has gained a new following with "Deadpool," and Drake's "Hotline Bling" made a big splash in 2015. Ellen Page, Seth Rogan and television and movie star Michael J. Fox, whose foundation may help unlock the clues to a cure for Parkinson's disease, are also bringing Canada to Hollywood. And we always enjoy the work of that mighty fine Ryan Gosling. Gosling is always having a moment. The redheaded orphan who put Prince Edward Island on the map for young readers may be fictional, but the "Anne of Green Gables" series by Lucy Maude Montgomery has lured generations of tourists to the picturesque island. The author's birthplace is a museum, and the Green Gables Heritage Place features a house like the one Anne occupied. And yes, there are Anne tours. Natural beauty and cultural preservation Americans have the Colorado Rockies and the 59 parks of the National Park Service. But Canadians have incredible, wild protected nature as well. Ask a Canadian, and they'll tell you (politely) that they prefer the Canadian Rockies. We recommend starting with Banff National Park, Canada's oldest national park. For travelers looking for a bit of Old World charm, there's the lovely city of Montreal, where many residents don't mind if your French is terrible. Are you trying? That counts for something. Stay longer and learn how to speak the North American version of French, all the while reading all official government publications and commercial product labeling in both English and French. Bon voyage/enjoy your trip!
  10. http://mentalfloss.com/article/72661/detroit-named-americas-first-unesco-design-city
  11. Alors vos réponse aux 6 questions ? Source, The Gazette the hochelaga archipelago, a montreal islands trivia quiz By Andy Riga 07-06-2009 COMMENTS(0) Metropolitan News Filed under: Montreal, ferries, waterways, hochelaga archipelago, boucherville islands, montreal archipelago, Parc national des Îles-de-Boucherville, st. lawrence river, boat tours, iles de boucherville I can’t swim. Even in a pool, I panic when I momentarily can’t feel solid ground under my feet. Yet, I love being on the water, especially the St. Lawrence River. Over the past couple of weeks, I spent time on a touristy Old Port cruise ship and on the east end Montreal/Boucherville islands bicycle/pedestrian ferry (seen in the above Gazette photo, taken Saturday by Peter McCabe). I was doing research for a story to be published in Saturday’s Travel section. I’ve also been researching the Hochelaga archipelego (also known as the Montreal archipelago). Fortuitously, John Woolfrey, a Montreal editor/writer/translator and Metropolitan News' unofficial Chief Triva Officer, sent me an email with some fun archipelago questions. Here they are (I’ll post the answers and sources next week): We live on an island surrounded by several islands with whom Montreal Island forms the Hochelaga Archipelago. How about some island trivia? 1) Name the main natural islands on which Expo 67 and La Ronde were built. 2) What's the original name of Nuns' Island? 3) Name the large island (245 km2)due north of Montreal. 4) Céline Dion built a mansion on what island she owns in the Mille-Îles River? 5) Name the island that's home to North America's oldest golf club. 6) Name the island that is also the smallest municipality in Canada, with only two permanent residents. Good luck! Speaking of water, below are photos I took on my June 24 trip to the Parc national des Îles-de-Boucherville in the middle of the St. Lawrence. (Voir la source)
  12. I heard a rumor today in the flight deck and I wanted to see if anyone else had heard it. Apparently FedEx is saturated in Memphis, and they're looking to make another North American Hub....and apparently Mirabel is the choice, or is being considered. I did a search online, with no luck.... Has anyone else heard anything along these lines? Would be the perfect re-birth for the airport.
  13. http://montrealgazette.com/news/local-news/little-trace-remains-of-montreals-glamorous-theatre-era Little trace remains of Montreal's glamorous theatre era LINDA GYULAI, MONTREAL GAZETTE More from Linda Gyulai, Montreal Gazette Published on: February 27, 2015 Last Updated: May 13, 2015 9:27 AM EDT Undated photo of theatres lining downtown Ste-Catherine St. in Montreal. Undated photo of theatres lining downtown Ste-Catherine St. in Montreal. There are imaginary ghosts dancing behind the plywood that’s temporarily concealing a vacant storefront on Ste-Catherine St. W. as it undergoes renovation. They’re the spirits of vaudeville and Hollywood, of stars of first silent and then talking movies, of singers, dancers and “manufacturers of mirth,” as one newspaper reviewer described a pair of vaudeville entertainers, and of generations of Montrealers who flocked to live shows and movie premieres while the location was known as Loew’s Theatre. You wouldn’t know it today, but the skinny, towering storefront a few metres west of Mansfield St., which most recently housed a Foot Locker shoe store, was once the entrance of a majestic theatre that served as Montreal’s principal vaudeville house and one of its main movie theatres for many years after it was built in 1917. Then: A print from about 1910 of His Majesty's Theatre, which was located on Guy St., just north of Ste-Catherine. Guy St., just north of Ste-Catherine St. Then: A print from about 1910 of His Majesty's Theatre, which was located on Guy St., just north of Ste-Catherine. Guy St., just north of Ste-Catherine St. Now: His Majesty's Theatre was demolished in 1963, where today stands Concordia University's engineering, computer science and visual arts complex. Now: His Majesty's Theatre was demolished in 1963, where today stands Concordia University's engineering, computer science and visual arts complex. Dave Sidaway / Montreal Gazette Then: The York Theatre opened in 1938 on the northwest corner of Ste-Catherine and Mackay Sts. Then: The York Theatre opened in 1938 on the northwest corner of Ste-Catherine and Mackay Sts. Now: The York Theatre was demolished in 2001 to make way for Concordia University's engineering, computer science and visual arts building. Now: The York Theatre was demolished in 2001 to make way for Concordia University's engineering, computer science and visual arts building. Dave Sidaway / Montreal Gazette Then: A 1972 photo of the Loews Theatre, on Ste-Catherine just west of Mansfield St. Built in 1917 by architect Thomas W. Lamb. With more than 3,000 seats, it was the largest in Montreal when it opened, and for years was the principal vaudeville stand in the city. Then: A 1972 photo of the Loews Theatre, on Ste-Catherine just west of Mansfield St. Built in 1917 by architect Thomas W. Lamb. With more than 3,000 seats, it was the largest in Montreal when it opened, and for years was the principal vaudeville stand in the city. Now: The Loew's Theatre was subdivided into five cinemas in 1976. Boarded up today, the building most recently housed a Foot Locker store. Now: The Loew's Theatre was subdivided into five cinemas in 1976. Boarded up today, the building most recently housed a Foot Locker store. Dave Sidaway / Montreal Gazette Then: The Strand built in 1912 on the southeast corner of Ste-Catherine and Mansfield Sts., and the first major movie theatre in Montreal's downtown. Then: The Strand built in 1912 on the southeast corner of Ste-Catherine and Mansfield Sts., and the first major movie theatre in Montreal's downtown. Roméo Gariepy / collection Cinémathèque québécoise / Roméo Gariepy / collection Cinémathèque québécoise Now: The Strand Theatre ended its days as the Pigalle before being torn down in 1973, with the neighbouring Capitol Theatre, to make way for an office tower. Now: The Strand Theatre ended its days as the Pigalle before being torn down in 1973, with the neighbouring Capitol Theatre, to make way for an office tower. Dave Sidaway / Montreal Gazette Then: The Capitol Theatre, about 1925. The Capitol opened in 1921 on the south side of Ste-Catherine, just west of McGill College Ave. Then: The Capitol Theatre, about 1925. The Capitol opened in 1921 on the south side of Ste-Catherine, just west of McGill College Ave. Now: The Capitol Theatre, along with the neighbouring Strand Theatre, was torn down on this block in 1973, to the chagrin of many Montrealers. Now: The Capitol Theatre, along with the neighbouring Strand Theatre, was torn down on this block in 1973, to the chagrin of many Montrealers. Dave Sidaway / Montreal Gazette Then: A print of the Colonial Theatre from about 1915. The theatre was renamed the Regal in 1920. Then: A print of the Colonial Theatre from about 1915. The theatre was renamed the Regal in 1920. Then: The Palace Theatre on Ste-Catherine St. between McGill College Ave. and University St. The Palace Theatre was built as the Allen Theatre for movies in 1921. Then: The Palace Theatre on Ste-Catherine St. between McGill College Ave. and University St. The Palace Theatre was built as the Allen Theatre for movies in 1921. Now: The site of the old Regal (and Colonial) theatres is now the SuperSexe strip club, and the former Palace Theatre, next door, is a restaurant. Now: The site of the old Regal (and Colonial) theatres is now the SuperSexe strip club, and the former Palace Theatre, next door, is a restaurant. Dave Sidaway / Montreal Gazette Then: The Gaiety Theatre, on the northeast corner of Ste-Catherine and Aylmer Sts., became a movie house in 1909. Renamed the London Theatre around 1912, later renamed The System, renamed Le Cinéma 539 in the 1970s and showed X-rated films. Then: The Gaiety Theatre, on the northeast corner of Ste-Catherine and Aylmer Sts., became a movie house in 1909. Renamed the London Theatre around 1912, later renamed The System, renamed Le Cinéma 539 in the 1970s and showed X-rated films. Dave Sidaway / Montreal Gazette files Now: The exterior of the former Gaiety Theatre remains recognizable. Building most recently housed a store. Now: The exterior of the former Gaiety Theatre remains recognizable. Building most recently housed a store. Dave Sidaway / Montreal Gazette Then: Bennett's Theatre opened in Montreal in 1907, on the north side of Ste-Catherine at City Councillors St. Then: Bennett's Theatre opened in Montreal in 1907, on the north side of Ste-Catherine at City Councillors St. Now: The former Bennett's Theatre, renamed the Orpheum in 1910, is now the site of an office tower. Now: The former Bennett's Theatre, renamed the Orpheum in 1910, is now the site of an office tower. Dave Sidaway / Montreal Gazette Then: A large crowd gathers outside Montreal's Princess Theatre in 1936 during the opening of Charlie Chaplin's "Modern Times". Original Princess was built in 1908, on Ste-Catherine at City Councillors, across the street from Bennett's Theatre. Original theatre burned down in 1915. Then: A large crowd gathers outside Montreal's Princess Theatre in 1936 during the opening of Charlie Chaplin's "Modern Times". Original Princess was built in 1908, on Ste-Catherine at City Councillors, across the street from Bennett's Theatre. Original theatre burned down in 1915. The former Princess Theatre was later renamed Le Parisien, and is now a newly renovated retail outlet up for rent. The former Princess Theatre was later renamed Le Parisien, and is now a newly renovated retail outlet up for rent. Dave Sidaway / Montreal Gazette Imperial Theatre in 1913, the year it opened ion Bleury St., just north of Ste-Catherine. Imperial Theatre in 1913, the year it opened ion Bleury St., just north of Ste-Catherine. Now: The Cinéma Impérial. Now: The Cinéma Impérial. Dave Sidaway / Montreal Gazette Then: An undated photo of Montreal's Nickel Theatre at the southeast corner of Ste-Catherine St. W. and Bleury St. After 1912, it became known as The Tivoli Theatre. It was destroyed in a 1923 fire. Then: An undated photo of Montreal's Nickel Theatre at the southeast corner of Ste-Catherine St. W. and Bleury St. After 1912, it became known as The Tivoli Theatre. It was destroyed in a 1923 fire. Now: There's no trace now of the old Tivoli Theatre on Ste-Catherine St. at Bleury St. Now: There's no trace now of the old Tivoli Theatre on Ste-Catherine St. at Bleury St. Dave Sidaway / Montreal Gazette Then: The Gayety Theatre, in 1957, at the corner Ste-Catherine and St-Urbain Sts. It was the leading burlesque theatre in Montreal in its day, later transformed into the home of the Comédie Canadienne theatre company. Then: The Gayety Theatre, in 1957, at the corner Ste-Catherine and St-Urbain Sts. It was the leading burlesque theatre in Montreal in its day, later transformed into the home of the Comédie Canadienne theatre company. The site of the former Gayety Theatre today is the Théâtre du nouveau monde. The site of the former Gayety Theatre today is the Théâtre du nouveau monde. Dave Sidaway / Montreal Gazette Then: The Ouimetoscope at the corner Ste. Catherine St. E. and Montcalm St., was inaugurated in 1906. Then: The Ouimetoscope at the corner Ste. Catherine St. E. and Montcalm St., was inaugurated in 1906. Now: Condos and a commercial space now occupy the site of the former Ouimetoscope, but a privately erected plaque draws attention to the site's historical significance. Dave Sidaway / Montreal Gazette Then: The Théâtre National, was built in 1900 on the south side of Ste-Catherine at Beaudry St. Considered the oldest French professional theatre in North America. Now: The Théâtre National, built in 1900, is now Le National, a music and live entertainment venue. Dave Sidaway / Montreal Gazette Then and now: The grand old theatres of Ste-Catherine St. From west to east, here are some of the old theatres that once lined the street, along with what the sites look like now. By the end of its reign in the 1990s, the once glorious Loew’s was a five-screen cinema that had been eclipsed by even larger multi-screen movie theatres. The Loew’s was just one of more than a dozen lost movie and live entertainment palaces that once lined Ste-Catherine, long before Gap and Second Cup made their debuts. And you wouldn’t know that, either, because the story of Ste-Catherine’s role as a theatre row cannot be found on the street. Unlike Sherbrooke St. W. to the north, downtown Ste-Catherine boasts no historic plaques to point out its landmarks and recount the street’s history. “It was the Quartier des spectacles before there was Quartier des spectacles,” Heritage Montreal policy director Dinu Bumbaru said of the downtown stretch of Ste-Catherine. He was referring to the name of the entertainment block the city and the provincial government are building around Place des Arts between Ste-Catherine and De Maisonneuve Blvd. east of Bleury St. On its own initiative, Heritage Montreal installed 19 interpretative plaques along Sherbrooke in 1992 for Montreal’s 350th anniversary. It was an ambitious undertaking for a private, non-profit organization as it sought the cooperation of building owners to put up the plaques. The funding was provided by philanthropist Liliane M. Stewart and a number of foundations. Stewart, who presided the Stewart Museum and the Macdonald Stewart Foundation, died in May. The downtown theatres were the most important theatres in town. — Dane Lanken Heritage Montreal also installed 15 plaques around Dorchester Square in 2004. Stewart and the owners of some of the buildings in the area provided the funding. Now, with Montreal’s 375th anniversary coming in 2017, Bumbaru suggested that the city install historic plaques along Ste-Catherine. Coincidentally, city hall is in the midst of developing a revitalization plan for Ste-Catherine between Atwater and Bleury, which creates an opportunity and a budget for such an improvement, he said. Ste-Catherine began life as a residential street. It was transformed starting 120 years ago into an artery of grand stores, churches and theatres. In 1907, the city of Montreal boasted 53 cinema and concert halls and theatres, notes the Répertoire d’architecture traditionnelle, published by the former Montreal Urban Community in 1985. By 1911, the number had grown to 63. Two years later, in 1913, the city had 77 cinemas, concert halls and theatres. The most popular among them were concentrated on the downtown portion of Ste-Catherine. Today, almost all of Ste-Catherine’s early-20th-century theatres have vanished. Even the buildings that housed the theatres are mostly gone. Among the only traces of the street’s past are the Imperial theatre, still showing movies on Bleury just above Ste-Catherine, and the theatre hub formed by such venues as Club Soda, the Metropolis, the Société des arts technologiques and the Monument National at Ste-Catherine and St-Laurent Blvd. “The corner of Ste-Catherine and St-Laurent is the only place where you can still feel the concentration of theatre,” Bumbaru said. Another hint of Ste-Catherine’s connection to old cinema and live theatre is a discreet bronze plaque – again, privately erected – on a building on the southeast corner of Ste-Catherine and Montcalm St., east of the downtown core. A commemorative plaque recognizes Le Ouimetoscope in Montreal. A commemorative plaque recognizes the site of the historic Ouimetoscope theatre on Ste-Catherine St. Dave Sidaway / Montreal Gazette The plaque pays tribute to Léo-Ernest Ouimet, an engineer and projectionist who erected on the street corner what is widely considered to have been the first theatre in Canada built specifically for movies. Ouimet opened the Ouimetoscope in 1906 out of a former recital hall. Soon after, he tore down the building and built a new and fancier Ouimetoscope dedicated to movies, which opened on the same spot in August 1907. The Cinémathèque canadienne (later renamed the Cinémathèque québécoise) put up the plaque in 1966. A commercial and condominium building sits on the site today. Ouimet, meanwhile, sold the Ouimetoscope in 1915 and moved to Hollywood. In 1920, he produced a feature film called Why Get Married? that played at Loew’s Theatre in Montreal, author Dane Lanken writes in his 1993 book Montreal Movie Palaces, a seminal work on the history of Montreal’s grand theatres. Lanken’s book also notes the Ouimetoscope may have been the first fancy movie palace in the world, and not just in Montreal. Lanken was working as a film critic at the Montreal Gazette in the early 1970s when the downtown theatres started to get demolished or have their grand interiors chopped up into multiple cinemas. Palace theatres were going the way of silent movies decades earlier. “It was really the end of the line for the big old theatres,” Lanken said in an interview. He spent 20 years gathering photos and conducting research and interviews on the city’s movie palaces for his book. People by and large lived in very dreary, cold-water flats. But for a quarter, you could go out and sit in this palace. And the doorman would open the door for you, and there would be an usher who would show you to a seat. You were treated royally for 25 cents. — Dane Lanken Lanken wasn’t the only theatre buff to lament the loss of the palace theatres. Montrealer Janet MacKinnon, who fought to preserve historic theatres in Canada, documented the significance of this city’s theatres with her organization, Historic Theatres Trust. MacKinnon died in 2011, but the Historic Theatres Trust collection is now housed at the Canadian Centre for Architecture. The theatres’ history, architecture, ownership and size may be recorded, but Lanken says he agrees with Bumbaru’s suggestion to erect plaques at Ste-Catherine’s landmarks to help keep the history alive. “The downtown theatres were the most important theatres in town,” Lanken said, adding that Montreal’s principal theatres for decades were the Loew’s, the Capitol, the Palace and the Princess, all located within a few blocks of each other on Ste-Catherine. “From the early days of the movies, probably 1920 or so, until the the system broke down around 1970, movies would play first at one of these four downtown theatres,” Lanken said. “And then they would go out on what were called double bills at what were called the neighbourhood houses, like the Monkland in N.D.G., or the Rialto up north (on Parc Ave.). There were a couple dozen of these theatres in the neighbourhoods, but the prestige place to see a movie or for a movie to open in Montreal was at one of these four theatres. That’s why they were so important. And those blocks (along Ste-Catherine) certainly were the Quartier des spectacles of that time.” Most of the early 20th century theatres, such as the Loew’s, offered both films and live theatre. The decorative style of those theatres was classically inspired, based on ancient Greece and Rome, Lanken said. As a result, theatres like the Loew’s boasted columns and plaster low-relief decoration. “The grandeur of these theatres was an important selling point for them,” Lanken said. “People by and large lived in very dreary, cold-water flats. But for a quarter, you could go out and sit in this palace. And the doorman would open the door for you, and there would be an usher who would show you to a seat. You were treated royally for 25 cents.” If the theatres had sprouted somewhat organically on Ste-Catherine in the early 20th century, their destruction was in large part due to an under-appreciation of their architecture, decoration and history, Lanken said. Emblematic of the palace theatres’ plight in the 1970s was the Capitol, on Ste-Catherine just west of McGill College Ave. Lanken calls the Capitol “the greatest theatre ever built in the city.” “It was the grandest, the most spectacular and just about the biggest,” he said. “It’s so rare to walk into a room anywhere where there’s 50 feet of space over your head. But you could certainly get that in a theatre like the Capitol. “A lot of theatres would have walls or columns made of plaster painted to look like marble, but in the Capitol there was real marble. It was a very expensive theatre to build.” The Capitol was built in 1921 by Thomas W. Lamb, the master theatre architect of New York. Lamb who also built the Loew’s and hundreds of theatres across North America, for the then-new Famous Players Canadian Corp., which would become the largest chain in Canada. RELATED A bitter farewell to the Capitol Theatre Now: The Capitol Theatre, along with the neighbouring Strand Theatre, was torn down on this block in 1973, to the chagrin of many Montrealers. Now: The Capitol Theatre, along with the neighbouring Strand Theatre, was torn down on this block in 1973, to the chagrin of many Montrealers. Dave Sidaway / Montreal Gazette In 1973, the Capitol and its neighbour, the Strand, also owned by Famous Players by then, were demolished to make way for an office tower. “They thought there was more money to be made tearing down the theatres and putting up buildings,” Lanken said of Famous Players. It was the era of mayor Jean Drapeau, to boot, so the demolition of the city’s old theatres didn’t seem to bother city officials, he added. However, they were tearing down Montreal’s collective memory. In the early 20th century, the city was on a North American circuit for touring vaudeville acts, Lanken said. Vaudeville shows were a collection of unrelated acts. “It was family entertainment and anybody could go to it,” Lanken said. The Loew’s in its heyday was the main vaudeville venue in Montreal, putting everything from skaters to acrobats to “comedy dancers” on its bill, along with movies. Ste-Catherine also boasted burlesque shows, notably at the Gayety, the leading burlesque theatre in Montreal that was built in 1912 at Ste-Catherine and St-Urbain St. Stripper Lili St. Cyr made her Montreal debut here in 1944, Lanken’s book explains. It has been home to the Théâtre du nouveau monde since 1972. “Burlesque was vaudeville, except that it had a stripper in it and maybe a chorus line,” Lanken said. “And a dirty comedian was a hallmark of it, as well.” Then: A large crowd gathers outside Montreal's Princess Theatre in 1936 during the opening of Charlie Chaplin's "Modern Times". Original Princess was built in 1908, on Ste-Catherine at City Councillors, across the street from Bennett's Theatre. Original theatre burned down in 1915. Then: A large crowd gathers outside Montreal’s Princess Theatre in 1936 during the opening of Charlie Chaplin’s “Modern Times”.<br />Original Princess was built in 1908, on Ste-Catherine at City Councillors, across the street from Bennett’s Theatre. Original theatre burned down in 1915. Montreal Gazette files Vaudeville disappeared with the advent of “talkies” around 1929, but the Loew’s continued its program of vaudeville and movies for another decade, Lanken said. The Loew’s brought American comedic entertainer Red Skelton to Montreal before his rise from vaudeville to radio and television. Another performer to hit the stage at the Loew’s was Sally Rand, whom Hollywood filmmaker Cecil B. DeMille put in silent movies in the 1920s and who was billed as the world’s most famous fan dancer when she appeared on the bill at Loew’s in 1935 with her vaudeville act. It was said to be tamer than her burlesque act, in which she would use two ostrich feathers to playfully reveal parts of her body – minus the naughtiest parts — as she danced to Claude Debussy’s Clair de Lune. By the time Leonard Schlemm was taking his first dates to the Loew’s as a McGill University commerce undergrad in the early 1970s, the theatre was strictly showing movies. But the grandeur and elegance of the theatre hasn’t faded for Schlemm, who opened the Mansfield Athletic Club inside the belly of what used to be the Loew’s in 2005. The Loew’s had been built for Marcus Loew, who by 1917 already owned 100 theatres across the U.S. and Canada and would later be a co-founder of Metro-Goldwyn-Mayer in Hollywood. With over 3,000 seats, the Loew’s was the city’s largest theatre when it opened. In 2001, Club Med World spent $8 million to renovate the then-vacant space and turn it into an entertainment complex. When the venture failed, the property was divided into two lots, one for the former entrance of the theatre on Ste-Catherine, which was rented to a shoe store, and the other for the interior belly, which opens on Mansfield. The Mansfield side remained empty until Schlemm’s real-estate agent scouted it in 2004 as a potential downtown location for the international fitness centre operator to open a new club. Schlemm had opened a gym in a smaller theatre in Madrid, Spain, and says he saw the potential for the former Loew’s. He bought the nearly 50,000-square-foot lot from a real-estate company that had bought the entire property from Club Med World. The storefront portion on Ste-Catherine, still owned by the real-estate company, has long since lost the old theatre facade. The construction work going on behind the plywood now is on the modern glass exterior, the borough of Ville-Marie says. The work is being done to make way for a new commercial tenant. However, the interior of the former Loew’s is still evident inside Schlemm’s Mansfield Athletic Club, including the high ceilings and a mural. Four of the original architectural drawings for the theatre adorn a wall that leads into the workout space. While many of the grand theatres have been razed, the classically-inspired interior of the former Loew's is still evident inside the Mansfield Athletic Club, including the high ceilings and a mural. While many of the grand theatres have been razed, the classically-inspired interior of the former Loew’s is still evident inside the Mansfield Athletic Club, including the high ceilings and a mural. Peter McCabe / MONTREAL GAZETTE “Club Med had done an excellent job of refurbishing it,” Schlemm said, adding that the company preserved the decorations from the old theatre. (Lanken credits architect Mandel Sprachman for his “sensitive” renovation when he was hired in 1975 to split the Loew’s into a five-cinema theatre. Sprachman saved the dome in the ceiling and decorative elements on the walls to make it possible to one day restore the interior to its former glory.) Schlemm says he likes the idea of erecting plaques for the theatre landmarks along Ste-Catherine. At the same time, he says he recognizes that the city may have other pressing financial needs. So for now, the preservation of Montreal’s theatre row on Ste-Catherine – its history, its spirits and its few remaining fragments, anyway – relies on the will of individuals such as Schlemm and Lanken. A more concerted effort is needed, Bumbaru says. After all, it’s a street where an important piece of Montreal’s story may be lurking behind any ordinary-looking storefront sent via Tapatalk
  14. Very interesting video of a rapidly expanding transport that few people are aware of. Lac-Mégantic was a wake-up call:
  15. via Architectural Digest : True North With its magnetic mix of rugged individualism and European flair, Montreal exudes an irresistible French-Canadian joie de vivre Text by Mitchell Owens Tourists and travel guides often tout Montreal asa North American version of Paris. Pas vrai. Though the two cities’ abundant historic façades are predominantly limestone, Montreal’s are ash-gray, a rough-hewn contrast to Paris’s soufflé-gold luminosity. As for their all-important food scenes, Montreal’s muscular, hearty cuisine offers a robust counterpoint to the French capital’s refined traditions. And while the Québécois vernacular may have a sharper twang than what is spoken in France today, it’s actually more closely connected to French’s roots. Melissa Auf der Maur, the Montreal-born former guitarist for Hole and Smashing Pumpkins, once dismissed the provincial tongue as “hillbilly French”—only to have her mother, literary translator Linda Gaboriau, defend it as “the original French, the French of the kings.” In an increasingly globalized world, Montreal venerates its deep-seated local culture. French colonists settled Quebec in the early 1600s, and their descendants have never forgotten that intrepid foray, hence the province’s enduring separatist movement and its motto, Je me souviens—“I remember,” rendered pointedly en français. As Los Angeles–based AD100 architect Richard Landry, a University of Montreal alumnus, explains, “When you see those words on every license plate, it’s hard not to think about the patrimoine all the time.” Indeed, this city of 1.7 million, set on an island at the confluence of the St. Lawrence and Ottawa rivers, is infused with a pioneer spirit and an unpretentious pride in the homegrown. Cuisine is integral to this rich heritage—and a major reason Montreal remains a compelling destination long after summer’s festivals (most famously the International Jazz Festival) and carnivals have ended. “Montrealers reportedly spend more of their disposable income on eating out than on anything else,” says Andrew Torriani, the CEO and co-owner of the Ritz-Carlton Montréal hotel, a 1912 Beaux Arts landmark graced by the impeccable Maison Boulud restaurant, where executive chef Riccardo Bertolino plates suave international fare. The city is well-known for poutine, a tangle of frîtes topped with cheese curds and gravy. Auf der Maur swears by the version at Patati Patata (514-844-0216), a microscopic café close to Mount Royal Park, a 494-acre oasis designed by Frederick Law Olmsted. Diners craving more sophisticated menus can head to chef Normand Laprise’s hushed Toqué!, opposite the glittering business district’s colorful Palais des Congrès convention center and around the corner from the sleek W Montréal hotel. Chef-owners Hubert Marsolais and Claude Pelletier’s surf-and-turf mecca, Le Club Chasse et Pêche, on the other hand, is set amid the colonial gray-stone buildings of Old Montreal. Marsolais and Pelletier also collaborate with chef Michele Mercuri on the Italian-inflected brasserie Le Serpent, at the Ville-Marie arrondissement’s visual-arts center Fonderie Darling. Last year in the working-class Little Burgundy section—not far from the Old Port, where warehouses have been turned into cafés and inns, like the lofty Auberge du Vieux-Port hotel—chef-restaurateurs David McMillan and Frédéric Morin opened Le Vin Papillon, a charming wine bar. The new boîte is on the same block as the celebrated pair’s Liverpool House, a bistro with antler-bedecked walls, and Joe Beef, a tchotchke-filled gastropub that was recently ranked as Canada’s top restaurant, thanks to its lively confections like parfait of foie gras with Madeira jelly. Other daring chefs invigorating the city’s scene include François Nadon of the Latin Quarter’s Bouillon Bilk and Guillaume Cantin at Old Montreal’s Les 400 Coups. The city has a riveting collection of locally designed architecture as well. Starting with Moshe Safdie and his 1967 Habitat housing complex, a number of Canadian and Québécois talents have produced notable contemporary projects, including those in the Quartier des Spectacles, a network of performance halls, restaurants, galleries, fountains, and squares in the Latin Quarter. One of the district’s stars is the Grande Bibliothèque, a joint venture between Croft-Pelletier Architectes and Gilles Guité, both of Quebec City, and Vancouver’s Patkau Architects. The green-glass behemoth, containing multistory rooms walled with yellow-birch louvers, was hailed as “simple but wonderful” by Phyllis Lambert, Montreal’s architecture doyenne. The same could be said of Lambert’s own Canadian Centre for Architecture, which occupies an elegant 1989 building attached to a historic mansion in the Shaughnessy Village neighborhood. (The city does have a few outsider icons, namely Ludwig Mies van der Rohe’s 1967 Westmount Square mixed-used complex, I. M. Pei’s 1962 Place Ville Marie skyscraper, and Roger Taillibert’s futuristic Olympic Stadium, a 1976 structure Landry calls “a very, very cool white elephant.”) Québécois art offers major-league delights, too. The works of powerhouse midcentury geometric painters Claude Tousignant and Guido Molinari are highlighted at the multivenue Montreal Museum of Fine Arts. And things are only looking up for current local talents, according to Lesley Johnstone, a curator at the Musée d’Art Contemporain de Montréal, which hosts the Montreal Biennial from October 22, 2014, to January 4, 2015. “Today the wealthy younger crowd whose families supported hospitals and the symphony are focusing on Canadian artists,” she observes. Among this new generation are Anne-Marie and Pierre Trahan, the maestros behind the two-year-old Arsenal Montréal, a contemporary art complex housed in a former shipyard in the Griffintown neighborhood. The 83,000-square-foot space is also home to the couple’s Division Gallery, which focuses on domestic talents such as multidisciplinary artists Nicolas Baier and Bonnie Baxter. After taking in Arsenal’s exhibitions, one can visit another Griffin-town magnet, a stretch of rue Notre-Dame Ouest known as Antiques Alley, where cafés alternate with treasure troves like Milord Antiquités and Antiquités L’Ecuyer (514-932-8461). Stylish Montrealers also dress Canadian, heading to Boutique Unicorn and Philippe Dubuc for fashions by their compatriots, while apparel star Marie Saint Pierre operates an eponymous flagship in downtown’s Golden Square Mile area. Boho-chic women—including Sharon Johnston, the wife of Canada’s governor general—step out in fascinatingly funky jewelry that designer Charlotte Hosten makes in her tiny appointment-only Mile End atelier. And at nearby Clark Street Mercantile, the brands primarily come from far beyond the province but share an earthy authenticity that feels absolutely Canadian. It’s a quality worth keeping in mind when exploring a city where roots and remembrance are everything. See more of Montreal's can't-miss destinations.
  16. Un extrait d'une dissertation très approfondie sur l'humour. August 2008 page 120 Least funny city: Seattle. It's rainy, progressive, and almost kind of European, it's Norway on the Pacific... Funniest city: Montreal. Every summer, our favorite anglophobic metropolis to the North plays host to the biggest, best comedy festival in North America. Drink potent Canadian beer while catching the late-night stars of tomorrow... Maudit que j'les haillis les américains! S't'une joke, lol...
  17. http://sustainablecitiescollective.com/city-life/324311/montreal-je-tadore Montréal, je t'adore 10 years ago, I went to Montreal for the first time on a whim. I was 20 years old, living in Ottawa and working for the Canadian government when I had just found out that my mother had breast cancer. Right after I received this upsetting news, a French Canadian guy - who I’d only met a few weeks earlier - invited me to hang out with him in Montreal. I was in such an emotional state that I decided to risk it and go spend time with someone I barely knew and have him show me his city. From that day forward, I fell madly in love with Montreal (not the boy, though - we remained friends and thankfully my mom recovered from cancer shortly after). I have gone back every few years since then, including spending three weeks in a French immersion program, just a few years after my first visit. When I returned to the city last week with my husband and son, I was reminded why I love Montreal. Here are my ten favourite things - in no particular order - about North America’s coolest city. Bikes - Montreal was one of the first cities in North America to establish a public bike sharing system with its Bixi bikes. The system was launched on May 12, 2009, and currently has 450 stations around Montreal’s central core. The city has embraced bike lanes and bike infrastructure ever since. It’s King/de la Commune station, with 110 docking points, is the biggest bike sharing station in North America. You will find people of all ages and backgrounds on bikes…like this guy:image Street art - Montreal is home to many talented street artists - and it shows, especially around the Plateau/Mont Royal area, which is bursting with colourful, impressive street murals. The city supports these artists through the recently launched MURAL festival. It is a free art festival that aims to celebrate urban art and graffiti painting, sculpture and installations, dance, music, film, and performance. The second edition took place in June on the famous Boulevard Saint-Laurent. Each festival brings new street murals to the neighbourhood. I could write a whole post on Montreal street art (and I probably will).image Advanced walk signals - In some Montreal intersections, pedestrians actually get to proceed on a green light BEFORE cars! A brilliant show of respect for people and a great way to promote safe walkable cities. Babies - I noticed everyone loves babies in Montreal. In Vancouver, people without children tend to avoid eye contact with me/pretend I don’t exist. In Montreal, everyone smiles and wants to help you when you have a child- from grandmas to young male hipsters. In all of the restaurants we went to, people never seemed to mind if my son was fussy or needed tending to. One male server even offered to watch him while my husband and I shopped on St.Denis Street. I’m pretty sure he was joking, but he mentioned that he also has children (and he was under 30). Maybe it is because Quebec’s fertility rate is higher than the Canadian average, but there appeared to be a lot of young families there. Public spaces - Montreal has many fun, creative public spaces - parklets, green laneways, urban forests, public swings, and as I mentioned before, spectacular street art. Here is a shipping container converted into a pleasant seating area:image Festivals and Culture - I remember when I was staying in Montreal for a French immersion program, it was July and the streets were constantly being closed off for some big party, complete with concerts, fireworks, outdoor movies, fashion shows, drum circles and more - Tam Tam at Mont Royal, The Indy, The Festival du Mode et Design, The Comedy Festival, The Festival du Jazz. Of course at the time I found this amazing, because festivals of this scale were so rare in my hometown of Vancouver. We may finally be catching up, but nobody throws a party like Montreal. Whimsy - When I walk around Montreal, I don’t see a city of monotonous glass towers. There are little bits of whimsy all around, like purple accents on heritage buildings, a bold red staircase on a rowhome, street trees made of ribbon, amusing murals, and even garbage cans made to look like maple syrup containers. Montrealers definitely have a sense of fun.image Mid rise buildings/row homes - You can walk down some streets in Montreal and forget you are in a city. I loved getting off the main roads and finding myself on a quiet street surrounded by lush trees and row homes, very much like New York. The city also seems to prefer mid-rise buildings to high-rise towers. Bilingualism and Multiculturalism: Montreal is one of the rare cities where people speak two languages - French and English - and that is a beautiful thing. To be able to walk into a store or restaurant and have the option of being served in French, English, or a bit of both, is a treat for me as I continue to work on improving my French skills. The city is also home to many different ethnicities - from Portuguese to Chinese to Italian and Haitian. On my last visit, I loved spending time in Little Portugal on upper St Laurent St, where I bought a lucky Portuguese rooster and ate an enormous roast chicken sandwich and egg tart. Style: Many Canadian clothing brands got their start in Montreal, such as Jacob and Le Chateau, and the city is home to several clothing designers and manufacturers. Montrealers have a sense of style that is bold and eclectic. This makes for great shopping (especially around the Mont Royal area) and people watching. As one Montrealer states: In Montreal, dressing in what makes you feel awesome and sexy, no matter how outlandish, is just a normal part of life. Thinking of cutting off the arms of an old fur coat and wearing them as legwarmers? Great idea! Want to max out the use of your Dracula Halloween costume by rocking a floor-length cape year-round? By all means, please do! You can understand why Cirque du Soleil had to come from Quebec and nowhere else. Walkable. Bikeable. Hip. Fun. Stylish. Edgy. If I haven’t already convinced you of Montreal’s effortless cool and fun-loving ways, you should go and see for yourself why it’s one of the best cities in the world.
  18. 1000 de la Commune E. Architectes: Fin de la construction:2007 Utilisation: Résidentiel Emplacement: Vieux-Port, Montréal ? mètres - 11 / 12 étages (Courtesy of Trams Property Management) If I remember correctly it took 6 years to do this project.
  19. Une journaliste du Toronto Star, Katie Doubs, s'en prend à un commentateur d'un quotidien de Chicago, Neil Steinberg, qui ridiculise la prétention de Toronto d'être la quatrième ville en importance en Amérique du Nord. Évidemment, Mme Doubs ne peut résister au passage de se montrer mesquine à l'endroit du Québec. Someone in Chicago has finally noticed Toronto has surpassed it in population, and he’s wryly congratulating us on the extra people. Neil Steinberg, Chicago Sun-Times columnist, notes that to even parse the comparison to Chicago is “an insult to our city.” He has been to Toronto and doesn’t want to “give the impression that people who live there are anonymous ciphers grinding through joyless lives devoid of charm or significance.” So he recalls some Toronto highlights: the Tim Hortons’ outlets, the monument to multiculturalism, the “nondescript skyline whose only noteworthy element is a TV antenna.” In the tradition of stories in which we report the different ways Americans notice us and defend our beloved TV antenna, doesn’t anyone in the Chicago media get the press releases about the CN Tower light show? Since amalgamation, Toronto has billed itself as North America’s fifth largest city behind Mexico City, New York, Los Angeles and Chicago. But according to census data from Statistics Canada, as of last July 1, Toronto’s population was 2,791,140, about 84,000 more than Chicago’s 2,707,120. While the numbers are estimates, Toronto economic development staffers have already declared the city is “the fourth largest municipality in North America. Steinberg’s story was an assignment. He says he’s a humorist. He never would have heard of our alleged population victory otherwise. Somehow, that stings even more. He laughs. He knows that. “To me this is just jovial all good fun that journalists do to sell their papers. I don’t want to be the Ann Coulter of Canada,” he said from his office, where he’s checking out the reaction on Twitter, where people aren’t taking it in good fun. Steinberg says he is being called uneducated, bitter and even a “Nazi” for his effort. He said most people were upset by the bit he wrote about Americans never thinking or caring about Canada. “I’m sorry to be the one to tell you, if you ask people who the Prime Minister of Canada is — God is it Stephen Harper? Tell me it is — you could put a gun to most Americans heads, they would be dead, they wouldn’t come up with that,” he said. He noted that comparing cities is a classic trope. “Chicagoans, to the degree, if we did think about it, that we’re superior to Toronto, it’s to soften the sting of looking longingly towards New York City and wanting to be them,” he said. “Everyone is looking somewhere else for validation. There is nothing wrong with that. I don’t think we should be ashamed of that, we speak the same language, we’re all bound together in the mutual joy of not being Quebec.” Steinberg was last in Toronto in 2008, He stayed at the Fairmont Royal York, went to the Taste of the Danforth, checked out the CN tower. He really loved African Lion Safari, although that’s admittedly outside the population boundaries. “I was tempted to say I’ve been to the great cultural spots in Canada, I’ve been to Potato World. I actually did stop at Potato World. Do you know where that is? It’s on the way to Nova Scotia, it’s in some huge potato processing company there that runs a theme world about potatoes.”[/b]
  20. http://www.montrealgazette.com/news/montreal/Montreal+quality+city+Mercer+rankings+affirm/9525645/story.html?utm_source=dlvr.it&utm_medium=twitter Montreal a quality city, Mercer rankings affirm We’re No. 4 in North America for quality of life; Vienna ranks No. 1 worldwide, while Baghdad is last BY ANNE SUTHERLAND, THE GAZETTE FEBRUARY 19, 2014 1:17 PM Montreal is the fourth-best city to live in North America, according to Mercer. Photograph by: Dave Sidaway / THE GAZETTE MONTREAL — Worldwide, we’re No. 23, but in North America, Montreal ranks in the top five cities for quality of life. Mercer, a consultant in health, retirement and investments, comes out with a ranking of cities every year. This ranking helps companies determine compensation packages when employees are given international assignments. In the 2014 global list, Vienna is No. 1, but Canadian cities rule when the it comes to North America: Vancouver is first, Ottawa second, Toronto third and Montreal fourth. San Francisco rounds up the top 5. Here are the top five worldwide: Vienna, Austria; Zurich, Switzerland; Auckland, New Zealand; Munich, Germany; Vancouver. The worst places to live, according to Mercer: Mexico City in North America; Port-au-Prince, Haiti, for Central and South America; Tbilisi, Georgia in Europe; Dushanbe, Tajikistan, in Asia; Baghdad for the Middle East and Africa. Some of the factors that affect rank are political stability, censorship, air and water pollution, schools, recreation, climate and natural disasters. For more information and bragging rights, go to www.mercer.com/qualityofliving
  21. http://www.bbc.com/travel/feature/20131002-business-trip-montreal As one of Canada's largest cities, Montreal stands out from the pack for its combination of big city ambiance and small-town neighbourhoods, European flair and North American attitude. The confluence of culture and economy has also transformed the city – the second largest French-speaking city in the world – into a business hub for numerous industries, including aviation, banking and insurance. Operating a strong North American and transatlantic hub from Montreal-Trudeau International Airport, Air Canada has been a key driver behind the 1.4 million business travellers that arrived in Montreal in 2012. The airport (a 20km taxi ride from downtown clocks in at a flat 40 Canadian dollars) recently completed the first phase of its C$261 million expansion project named Gate 62, and the second stage will begin construction in 2014, adding six new wide body gates, including two equipped for the Airbus A-380 jumbo jet. ...
  22. Phase 1 http://www.constructionsmusto.com/main.cfm?p=11&l=fr&Segment=VE&BlocID=306 North of Marché Central Phase 2
  23. http://tourismexpress.com/nouvelles/haute-distinction-pour-le-w-montreal?utm_source=newsletter&utm_medium=email&utm_campaign=newsletter-2013-07-17&utm_content=haute-distinction-pour-le-w-montreal
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