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11 résultats trouvés

  1. www.e5pace.com Le résumé trimestriel unique en son genre d’Espace Montréal se démarque par ses rapports de premier plan sur le marché de l’immobilier commercial de la grande région de Montréal, ses entrevues, ses chroniques professionnelles et ses renseignements en matière de location. Le pouls de ce secteur dynamique est consulté dans chaque numéro d’Espace Montréal, une lecture incontournable attendue avec impatience par tout passionné du monde de l’immobilier commercial de Montréal. Industry leading reports, interviews, professional columns and market information are the hallmarks of Espace Montréal's unique quarterly roundup on commercial real estate in the greater Montréal area. The pulse of this dynamic industry comes to life in every issue of Espace Montréal - an eagerly awaited must-read publication for any aficionado of commercial real estate in Montréal.
  2. Montréal est 20ieme dans la liste de 20 villes. Challengers to Silicon Valley include New York, L.A., Boston, Tel Aviv, and London. RICHARD FLORIDA @Richard_Florida http://www.citylab.com/tech/2015/07/the-worlds-leading-startup-cities/399623/?utm_source=SFFB sent via Tapatalk
  3. Are the World's Leading Financial Centers Also Its Leaders in the Arts? To what degree are the world's leading financial centers also leading centers for the arts? A new study by Monika Skórska and Robert Kloosterman of the University of Amsterdam takes an empirical look. Many have noted a possible connection between the two. While some believe leadership in arts and finance are twin characteristics of leading global cities, others, mainly economists, argue that leadership in the arts comes only after and as a byproduct of economic leadership. Despite these assertions, the study points out, there has has been little systematic empirical research of the connection between finance and arts across global cities. The study examines this possible connection in a set of large global cities, comparing the rankings to the Global Financial Centres Index and their own new measures of arts based on the frequency and scale of artistic events. The first chart below (from the study) shows the top 36 world cities on the Global Financial Centres Index. London takes first, followed by New York, Hong Kong, Singapore, and Shanghai. The second chart (also from the study) shows the top 36 cities on the authors' own Global Arts Centers Index. There is some overlap, but the lists are far from identical. New York takes first place, Berlin is second, and London drops to third. Tokyo takes fourth, and Paris fifth. The researchers then plotted the two rankings on a single chart (below). The connection between finance and arts seems to hold only at the very top of the urban hierarchy — in the world's largest and most economically powerful cities, such as London, New York, and Tokyo, and to a lesser extent in San Francisco, Seoul, and Frankfurt. The study concludes that: All in all, even though we recognize a certain overlap between the Global Arts Centers and Global Financial Centers, we see it as not sufficient to conclude that the world of finance shapes the world of arts. There is no straightforward relationship between being a Global Financial Center and a Global Arts Center. A 44 percent overlap and a similar geographic pattern suggests that surely there are certain factors pivotal for development of Global Financial Centers that will be important for creating a thriving arts scene, Global Arts Centers, as well. We expect some factors such as urban population or the overall economic performance to be conducive to both a thriving financial sector and a flourishing arts scene. However, we see this as not sufficient to prove that a financial activity would actually drive cities’ arts activity, especially considering that some cities with an excellent performance as a financial center– i.e. Hong Kong, Singapore, and Shanghai – are still not appearing on our radar of Global Arts Centers. And vice versa, some of the most artistically exciting cities – Berlin, Vienna and Los Angeles are apparently driven by factors not directly related to financial services. They are exploiting other sources to thrive as Global Arts Centers. The relationship between finance and arts is complex. While the two are related in the world's largest and most economically powerful cities, a number of patterns come through from this analysis. It is certainly not that artistic success simply follows from the level of development. Affluence does not in effect buy artistic success. There are quite a few cities that are financial centers but lack artistic excellence, while many of the world's leading artistic centers rank much further down on artistic success. European cities in particular seem to have higher levels of artistic excellence above and beyond their global economic and financial prowess. The study is an interesting start, but much more research needs to be done using better indicators and across a larger sample of global cities. http://www.theatlanticcities.com/jobs-and-economy/2012/10/are-worlds-leading-financial-centers-also-its-leaders-arts/3468/
  4. Réaménagement de la sortie 15 Nord. Reconstruit à droite! Pour enfin corriger les erreurs du passé! <iframe width="560" height="315" src="http://www.youtube.com/embed/28rndC0RMYk" frameborder="0" allowfullscreen></iframe> Selon la gazette, des travaux majeur au cour du week-end: http://www.montrealgazette.com/news/Construction+affect+interchange+Highways+this+weekend/6350156/story.html Construction to affect interchange at Highways 40 and 15 this weekend THE GAZETTE MARCH 23, 2012
  5. 2012 Global Cities Index and Emerging Cities Outlook New York, London, Paris, and Tokyo remain today's leading cities, but an analysis of key trends in emerging cities suggests that Beijing and Shanghai may rival them in 10 to 20 years. http://www.atkearney.com/index.php/Publications/2012-global-cities-index-and-emerging-cities-outlook.html
  6. China’s Stock Market Passes US as Leading Indicator Published: Wednesday, 4 Aug 2010 | 12:43 PM ET By: John Melloy Executive Producer, Fast Money China may be the second biggest economy in the world behind the US, but it is No. 1 in terms of influence over global stock markets, analysts said. “The Chinese equity market has shown signs of ‘leading’ global equity markets at turning points over the past three years,” wrote Geoffrey Dennis, Citigroup’s emerging markets strategist. “As a result, the 13 percent rally in the Shanghai Composite since early-July has been a major support for improved overall global sentiment over the past month.” It’s only natural China’s stock market would take a leading role following structural changes such as a jump in listings and the allowance of short sales. After all, the economic influence speaks for itself. Among other things, China is the biggest consumer of energy products, accounts for 70 percent of iron ore demand, and in 2009, became the No. 1 auto market, according to analysts’ reports. The Shanghai Composite Index has led the US market back from its 2010 low. It’s no coincidence that the leading US stocks during this comeback have come from the stocks in the industrial and raw material industries such as Caterpillar [CAT 71.56 -0.40 (-0.56%) ] and Freeport-McMoRan [FCX 74.61 0.54 (+0.73%) ]. Ford [F 13.04 0.06 (+0.46%) ] shares are up 30 percent in one month. “China’s rapid growth in auto sales is merely a reflection of the rise of middle class consumption patterns,” wrote Marshall Adkins, Raymond James energy analyst. “Add in increasing Chinese trucking, petrochemical and aviation consumption, and total Chinese oil demand growth in 2011 should be well north of 500,000 barrels per day and could drive over half of the global oil demand growth next year.” It’s no coincidence then that oil topped $80 this week before retreating today. The iShares FTSE/Xinhua China 25 Index [FXI 41.95 -0.08 (-0.19%) ], an ETF traded here on the NYSE, is supposed to be a direct play on the Chinese market, but it has underperformed China’s local market over the past month. The ETF contains only the large Chinese stocks that are listed as ADRs on US exchanges. What this data shows is that you may be better off buying a US index fund, industrial stocks or a broader emerging market ETF if you believe China is going higher. Citigroup sees the Chinese stock market rising five to 15 percent higher by the end of the year as fears of an economic slowdown are priced in. "Based on a 'no double-dip' scenario, solid growth in emerging markets, low interest rates 'for longer' and attractive valuations, we remain bullish on emerging market for the long-term, including Chinese equities," wrote Citi's Dennis. The closing bell of the New York Stock Exchange used to ripple through the rest of the world, dictating trading in Australia, Asia and Europe that followed it. No longer. The US traders’ day may be decided before he or she even wakes up. http://www.cnbc.com/id/38558580
  7. THE CANADIAN PRESS MONTREAL–Cadillac Fairview has announced a $52-million investment to "bring elegance and luxury to the shopping experience" at Carrefour Laval in suburban Montreal. The renovation, starting immediately and set for completion by the autumn of next year, includes relocating the shopping centre's food courts into a new 1,200-seat complex, adding more stores and ``harmonizing the common areas with the garden court." Cadillac Fairview, owned by the Ontario Teachers' Pension Plan, said Wednesday the design is "inspired by the urban trend seen in shopping centres of leading international cities." The upgrading of the 34-year-old mall, now with about 300 retailers in its 1.3 million leasable square feet, will include new flooring, ceilings, lighting and soft seating areas, with construction planned to minimize inconvenience for shoppers. Other properties in Cadillac Fairview's $16-billion portfolio include the Toronto-Dominion Centre and Eaton Centre in Toronto and the Pacific Centre in Vancouver
  8. Quebec's influence on the wane TIM WHARNSBY From Monday's Globe and Mail June 22, 2008 at 7:53 PM EDT OTTAWA — In the end, 27 players from the QMJHL were selected in the seven rounds of the 2008 NHL entry draft, and that was in line with the average of 26.7 chosen in the seven previous drafts. But when the QMJHL was shut out in the first round on Friday, alarm bells went off in supposedly hockey-mad Quebec. This had happened before, with the most recent occurrence in 2000, but when a prime-time national television audience watches seven of the first 10 players, 11 in total, selected from the OHL and nine from the WHL, the QMJHL was left red-faced. The lack of production may signify that Quebec hockey is on the cusp of a crisis. The Montreal Canadiens are fashionable again, and the all-sport French television network RDS smashed all sorts of records with millions of viewers in the Habs' run to the second round of the Stanley Cup playoffs, but Canadiens general manager Bob Gainey concedes the province needs to step back and study the situation. “We're usually under scrutiny to take kids from Quebec,” Gainey said. “But I think in the past two or three years there has been information that has surfaced that says there just aren't as many players coming from Quebec as comparative to the past or other places.” Related Articles Of the 27 players selected from the QMJHL, 19 are from Quebec, two are Europeans, five are from the Atlantic provinces and one from Ontario. When the Detroit Red Wings made Julien Cayer of Longueuil, Que., a fifth-round selection – he plays for Northwood Prep in New York – that gave La Belle province an even 20. “I think it's simple evidence that it's just the way it is,” Gainey said. “I don't have any hard-core facts as to why it's the way it is, but it's clear this needs to be looked at.” Off the top, there are several factors that may have contributed to Quebec's decline in top end talent. The QMJHL nearly doubled its size, to 18 teams in 2004 from 10 teams in 1969, and the minor hockey base couldn't keep up, even though the QMJHL opened its doors to the Atlantic provinces and that area has flourished with players such as Brad Richards of Murray Harbour, PEI, and Sidney Crosby of Cole Harbour, N.S. There also is the fact that Montreal, the province's most populated area, has been without a QMJHL franchise since the Montreal Rocket left in 2003, and the franchise was only there for four years. The absence of a stable junior franchise in Montreal, as well as the city's diverse ethnic makeup, has hindered minor-hockey enrolment in the area. QMJHL commissioner Gilles Courteau believes the transfer of the St. John's franchise, which will become the Montreal Junior Hockey Club in the fall, to the Montreal suburb of Verdun will help the cause. “That's going to help because every city where we have been, the amount of minor-hockey participation has increased,” Courteau said. “But there is no doubt that there are lots of people from different nations that don't play hockey [in Montreal]. We need work better hand in hand with the Quebec branch [of hockey].” Gainey would like to see an in-depth study done to identify issues that confront the province. He promised the Canadiens will perform a leading role. Already the NHL club administers the Learn, Respect and Fun program, in which thousands of minor-hockey players sign a contract with the Habs, pledging to learn the rules of the game, to abide by principles of sportsmanship, respect for teammates, opponents and officials and to have fun playing the game. “We are in a place that as part of a coalition or group to say, ‘Here's where we are and how do we need to get more kids playing and more ice available?'” Gainey said. “I don't really know what the problem is. I would hazard that the problem is multilayered. “Before you forge off in any direction, you need to get a solid idea of what the landscape looks like. That would be the first step, getting people together to look at this. The Montreal Canadiens could play a role. The sport ministries could play a role. Former players who grew up in Quebec could play a role. “There is no reason why the sport can't be reconfigured, and the Canadiens naturally should play an important and leading role.” http://www.globesports.com/servlet/story/RTGAM.20080622.nhl-draft23/GSStory/GlobeSportsHockey/home
  9. Digital 04 Studios announced the return of its popular conference in Montreal geared toward the digital art industry. Named Advanced Digital Art Production Techniques (//ADAPT), the conference will feature more than 20 digital art masters, world famous film, vfx and videogame studios. This year, the //ADAPT 2007 Conference will once again be held at the Hyatt Regency Hotel Montreal, on Sept. 24-28. In addition to the master classes, the four-day event will feature new programs and activities such as the //ADAPT Theater and the //ADAPT Art Expo, designed to promote and inspire artists and display the amazing art work developed in leading films, vfx and videogame productions worldwide. "With this announcement, Digital 04 Studios is proud to once again support this vibrant industry of digital art worldwide." said co-founder Jonathan Abenhaim. Throughout the next few weeks, stay tuned to the new http://www.adaptmontreal.com website for program information and registration. Last year, the //ADAPT 2006 conference registered 900 attendees from all over the world, nearly exceeding capacity. Thirty percent of attendees came from Asia, Europe and the U.S., and were made up of artists, students, film and videogame developers. "We were really amazed with the success of //ADAPT 2006. The participation and interest from artists and studios exceeded our expectations and confirmed the need for such an event," said co-founder Jean-Eric Hénault. Master classes were given by numerous world-renowned artists, such as Syd Mead, Scott Robertson, Iain McCaig and Mark Goerner, who featured their work and art production techniques. In addition to the training, attendees had the opportunity to network & interview with major studios, such as, DreamWorks Animation SKG, Industrial Light & Magic, Lucas Arts, Ubisoft, Electronic Arts, Artificial Mind and Movement (A2M), Beenox and Hybride. Marc Petit, vp, Autodesk, Media and Ent., stated during his address at the Saturday evening cocktail mixer, "Montreal is the center of the CG universe. ADAPT gives the international 3D community the opportunity to learn from a number of leading artists and network within the industry." Digital 04 Studios, created for artists by artists, is the corporate entity presenting and organizing the //ADAPT Conference. Co-founded by Jean-Eric Hénault, president of CGChannel.com, Emile Ghorayeb, formerly at DreamWorks Animation, and Jonathan Abenhaim, formerly of Ubisoft Ent. The //ADAPT Conference was established in 2006 by Digital 04 Studios to teach advanced digital art production techniques and to promote digital artists worldwide.
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